Monthly Archives: September 2010

Posted in Art, Education, J. Paul Getty Museum, Sculpture and Decorative Arts

Question of the Week: Is Beauty A Curse?

Plate with the Abduction of Helen / Francesco Xanto Avelli

Question of the Week is a new blog series inspired by our Masterpiece of the Week tours, offered daily at the Getty Center at 4:00 p.m. Featuring an open and upbeat discussion among visitors and gallery teachers, the tours feature… More»

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Posted in J. Paul Getty Museum, Photographs, Film, and Video

Robert Weingarten on His Photography

Amish 10, Lancaster County, PA, Robert Weingarten, 2001. 15 9/16 x 19 5/8 in. The J. Paul Getty Museum, Gift of Alvin and Heidi Toffler

Robert Weingarten’s work spans the possibilities of photography—from traditional black-and-white prints to digital mashups composed entirely in Photoshop. In advance of his lecture at the Getty Center this Thursday, September 16, I spoke to him about his approaches to photography—and… More»

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Posted in Getty Center

Video: Aloe Blacc, Next Up at Saturdays Off the 405

aloe_blacc

Here’s your new favorite music: “brand-new old soul” from Aloe Blacc, an O.C. native who’s performing this weekend at our free outdoor concert series Saturdays Off the 405. In this video, Blacc talks about how he creates music that makes… More»

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Posted in Behind the Scenes, Getty Villa, J. Paul Getty Museum

Video: “Elektra” Director and Cast on Working in the Villa’s Outdoor Theater

elektra

What is it like to perform Greek tragedy in an outdoor theater setting? The director, the composer and musical director, and cast members of the sold-out new production of Sophocles’ Elektra—which premieres tonight at the Getty Villa—gave us their take… More»

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Posted in Conservation, Getty Conservation Institute, Paintings

Conserving David Siqueiros’ “América Tropical”

Leslie Rainer, GCI senior project specialist, working on América Tropical

América Tropical, the only surviving public mural by David Alfaro Siqueiros in the United States, is one step closer to being on view to you and me. At El Pueblo Historic Monument in downtown Los Angeles, project leaders today broke… More»

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Posted in Getty Research Institute, Photographs, Film, and Video

Boring Art? Bring It.

I Will Not Talk in Class

Expensive, large, and burdensome to travel with, the camcorders I was first exposed to served only one purpose: to painstakingly document every birthday party, dance recital, and performance of Shakespearean soliloquies on the stage (ahem, fireplace) of my childhood. It… More»

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Posted in Exhibitions and Installations, Getty Center, Photographs, Film, and Video

Jean-Léon Gérôme, from “Gladiator” to “The Matrix”

detail_gladiator1

“Gérôme forged narrative practices that would take the cinema decades to invent,” art historian Marc Gotlieb told a packed auditorium recently in a discussion of The Spectacular Art of Jean-Léon Gérôme, which closes this Sunday. Really? How could a 19th-century… More»

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Posted in Gardens and Architecture, Getty Center, Getty Villa

The Perfect Summer Picnic

Visitors sleeping on the lawn of the Getty Center's Central Garden

After a cool early summer, toasty picnic weather has finally arrived in L.A. The Getty is a great place for outdoor eats—this weekend, the Center is open Saturday and Sunday, and the Villa is open all three days, including Labor… More»

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Posted in Exhibitions and Installations, J. Paul Getty Museum, Paintings, Photographs, Film, and Video

Rethinking Orientalism, Again

Les Femmes du Maroc: Revisited #1, Lalla Essaydi, 2009, chromogenic print. Image courtesy the artist

It’s been 27 years since art historian Linda Nochlin published her essay “The Imaginary Orient,” a critique of sexist and racist depictions of “brown and black folk” by Western artists such as Jean-Léon Gérôme. Back then, “I was put off… More»

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      I do not like crooked, twisted, blasted trees. I admire them much more if they are tall, straight, and flourishing. I do not like ruined, tattered cottages. I am not fond of nettles or thistles, or heath blossoms. I have more pleasure in a snug farm-house than a watch-tower—and a troop of tidy, happy villages please me better than the finest banditti in the world.”

      Marianne looked with amazement at Edward, with compassion at her sister. Elinor only laughed.

      —Jane Austen’s Sense and Sensibility, published on October 30, 1811

      Wooded Landscape by Paulus Lieder and Landscape with a Bare Tree and a Ploughman by Leon Bonvin, The J. Paul Getty Museum; Fantastic Oak Tree in the Woods, Carl Wilhelm Kolbe the Elder, The Getty Research Institute

      10/30/14

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