Monthly Archives: December 2010

Posted in Art, Behind the Scenes, Education, Getty Villa, J. Paul Getty Museum

L.A. Teachers Explore Greek Vases in the Collections Store Room at the Getty Villa

David Saunders speaks with a group of students from UCLA. Most storeroom visits are reserved for college groups.
David Saunders speaks with a group of students from UCLA. Most storeroom visits are reserved for college groups.

Eleven teachers enter an underground room at the Getty Villa. In a space with wooden crates marked “fragile” sits a large table. They are asked to put on latex gloves as an aura of anticipation fills the air. “When was… More»

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Posted in Art, Getty Research Institute

Treasures from the Vault: Italian Artists’ Books

Books by Maurizio Nannucci. Top: Medium is word, 1975. Keleidoscope in a wooden box with a sliding top, 32 x 8 cm. Bottom: Museum of Modern Art, no. 15/30, 1983. Keychain inside a wooden box featuring a floor plan for a "Museum of Modern Art.” 7.3 x 10.8 cm. The Getty Research Institute, 890164, box 201 © Maurizio Nannucci
Books by Maurizio Nannucci. Top: Medium is word, 1975. Keleidoscope in a wooden box with a sliding top, 32 x 8 cm. Bottom: Museum of Modern Art, no. 15/30, 1983. Keychain inside a wooden box featuring a floor plan for a "Museum of Modern Art.” 7.3 x 10.8 cm. The Getty Research Institute, 890164, box 201 © Maurizio Nannucci
Saturday is the final day for the Santa Monica Museum of Art’s exhibition Libro/Oggetto: Italian Artists’ Books, 1960s–Now, a look at Italian artists’ books from the main art movements and trends of the second half of the 20th century. It... More»
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Posted in Art, Education, J. Paul Getty Museum, Paintings

Question of the Week: Does Art Have to Be Serious?

Self-Portrait, Yawning, Joseph Ducreux, before 1783. Oil on canvas, 45 x 35 in.
Nowadays, seeing a silly picture of a person is hardly unusual. Showing personality is a good thing. Social customs weren’t quite the same in 18th-century France, when Joseph Ducreux painted this self-portrait. An official court painter, he was known for refined... More»
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Posted in Art, J. Paul Getty Museum

Day Without Art: Reflecting on Art, Fragility, and Loss

Gravestone of Sime, Greek, about 320 B.C.
The frailty of the human condition—and the cruelty of untimely loss of life—is one of art's oldest and most enduring themes. Every year on December 1, we've reflected on this theme for Day Without Art, an international day of observance... More»
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      What unexpected thing have you learned by working at a museum?

      The more time you take with the art, the better. 

      The first time I saw a work by James Turrell, my eyes totally deceived me. I walked into the room (Acton, at the Indianapolis Museum of Art) and saw a gray rectangle “painting,” but I was baffled and could not figure it out—I got closer and closer until my face was pressed against the wall next to it, trying to figure out what it was. When my friend stuck her arm into the painting and revealed the illusion (a square cut into the wall and lit to look flat), my mind was blown! You got me so good, James.

      Also, always offer to take a family photo for the tourists!

      What do you wish you could tell all people about yourself, museums, or life? 

      Everyone is creative.

      Emily, Education Technologist at the Getty, July 24, 2014

      07/29/14

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