Monthly Archives: October 2011

Posted in Exhibitions and Installations, Paintings, Sculpture and Decorative Arts

It Happened in L.A.: Artists Turn to Zen

Little Big Horn / Peter Voulkos

Artists’ studios aren’t generally thought of as meditative places. The stereotype is one of disarray—an image comes to mind of paintbrushes, sculpting tools, or other instruments of the trade strewn about a room, as if to signal an unruly creative… More»

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Posted in Art, Behind the Scenes, J. Paul Getty Museum, Manuscripts and Books

Time for a Manuscript Close-Up! Welcoming the Abbey Bible to the Museum

Erene Rafik Morcos documenting the Abbey Bible in the Manuscripts Study Room at the J. Paul Getty Museum

The 13th-century illuminated manuscript known as the Abbey Bible recently joined the collection of the Getty Museum—and when the special book arrived, the task of documenting it fell to me. This meant I had to spend a lot of time… More»

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Posted in Exhibitions and Installations, J. Paul Getty Museum, Photographs, Film, and Video

Unraveling the Narrative: A Conversation with Photographer Eileen Cowin

Eileen Cowin in her studio, 2011

In the exhibition Narrative Interventions in Photography, opening October 25, contemporary photographers Eileen Cowin, Carrie Mae Weems, and Simryn Gill present works that explore the subjectivity of storytelling and the slipperiness of truth. Cowin’s large, color photographs pair images—including one… More»

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Posted in Art, Getty Research Institute, J. Paul Getty Museum, Photographs, Film, and Video

Ruscha Sees L.A.

Shoot from Hollywood Blvd. / Ed Ruscha
Shoot from Hollywood Blvd., Ed Ruscha, 1973. Contact sheet. Part of the Streets of Los Angeles Archive, The Getty Research Institute. © Ed Ruscha

The Getty has just acquired photographs by Ed Ruscha. Seventy-four prints, including depictions of gas stations from Los Angeles to Oklahoma City along Route 66, sidewalk views of buildings that were included in his self-published books Some Los Angeles Apartments and… More»

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Posted in Art, J. Paul Getty Museum, Paintings

A Portrait of Venice Unmasked

The Painter in His Studio / Pietro Longhi

The life of a painting can be pretty unpredictable. Some are constantly on the move, reaching different parts of the world as they travel through time. When I started at the Getty as an intern, I had only recently returned… More»

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Posted in Behind the Scenes, Getty Research Institute, Photographs, Film, and Video

A Visit to Thomas Demand’s Studio

Thomas Demand in his Culver City studio with visitors from the Getty Research Institute
Thomas Demand in his Culver City studio, showing us the set of his latest work and his paper and cardboard constructions

During my work as a Multicultural Undergraduate Intern at the Getty this summer,  I was invited to join colleagues from the Getty Research Institute on a visit to artist Thomas Demand’s studio in Culver City. It was a memorable look… More»

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      All Hail Tiberius, Least Media-Savvy of the Roman Emperors

      Tiberius was proclaimed Roman emperor on September 17 in AD 14, exactly 2,000 years ago.

      He was also a bit idiosyncratic. “He was the least media-savvy emperor you could imagine,” says curator David Saunders, who has been in charge of this bronze portrait of Tiberius which leaves us on September 22. He point to this description found in the writings of Cassius Dio:

      Tiberius was a patrician of good education, but he had a most peculiar nature. He never let what he desired appear in his conversation, and what he said he wanted he usually did not desire at all. On the contrary, his words indicated the exact opposite of his real purpose; he denied all interest in what he longed for, and urged the claims of what he hated. He would exhibit anger over matters that were far from arousing his wrath, and make a show of affability where he was most vexed…In short, he thought it bad policy for the sovereign to reveal his thoughts; this was often the cause, he said, of great failures, whereas by the opposite course, far more and greater successes were attained.

      Moreover, David tells us, “Tiberius’s accession itself was a farrago: Tiberius sort-of feigning reluctance, the Senate bullying him, he being all, ‘Well, if-I-have-to,’ and in the end—according to Suetonius—saying he’ll do it as long as he can retire.”

      Suetonius is full of great, albeit spurious, anecdotes about poor old Tiberius, David reports. “When someone addressed him as ‘My Lord,’ it is said, Tiberius gave warning that no such insult should ever again be thrown at him.”

      Happy accession, My Lord!

      Portrait Head of Tiberius (“The Lansdowne Tiberius”), early 1st century A.D., Roman. The J. Paul Getty Museum

      Statue of Tiberius (detail), Roman, A.D. 37, Soprintendenza Speciale per i Beni Archeologici di Napoli e Pompei – Museo Archeologico Nazionale di Napoli, Laboratorio di Conservazione e Restauro. Currently on view at the Getty Villa following conservation and study.

      09/17/14

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