Monthly Archives: October 2011

Posted in Exhibitions and Installations, Paintings, Sculpture and Decorative Arts

It Happened in L.A.: Artists Turn to Zen

Little Big Horn / Peter Voulkos

Artists’ studios aren’t generally thought of as meditative places. The stereotype is one of disarray—an image comes to mind of paintbrushes, sculpting tools, or other instruments of the trade strewn about a room, as if to signal an unruly creative… More»

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Posted in Art, Behind the Scenes, J. Paul Getty Museum, Manuscripts and Books

Time for a Manuscript Close-Up! Welcoming the Abbey Bible to the Museum

Erene Rafik Morcos documenting the Abbey Bible in the Manuscripts Study Room at the J. Paul Getty Museum

The 13th-century illuminated manuscript known as the Abbey Bible recently joined the collection of the Getty Museum—and when the special book arrived, the task of documenting it fell to me. This meant I had to spend a lot of time… More»

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Posted in Exhibitions and Installations, J. Paul Getty Museum, Photographs, Film, and Video

Unraveling the Narrative: A Conversation with Photographer Eileen Cowin

Eileen Cowin in her studio, 2011

In the exhibition Narrative Interventions in Photography, opening October 25, contemporary photographers Eileen Cowin, Carrie Mae Weems, and Simryn Gill present works that explore the subjectivity of storytelling and the slipperiness of truth. Cowin’s large, color photographs pair images—including one… More»

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Posted in Art, Getty Research Institute, J. Paul Getty Museum, Photographs, Film, and Video

Ruscha Sees L.A.

Shoot from Hollywood Blvd. / Ed Ruscha
Shoot from Hollywood Blvd., Ed Ruscha, 1973. Contact sheet. Part of the Streets of Los Angeles Archive, The Getty Research Institute. © Ed Ruscha

The Getty has just acquired photographs by Ed Ruscha. Seventy-four prints, including depictions of gas stations from Los Angeles to Oklahoma City along Route 66, sidewalk views of buildings that were included in his self-published books Some Los Angeles Apartments and… More»

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Posted in Art, J. Paul Getty Museum, Paintings

A Portrait of Venice Unmasked

The Painter in His Studio / Pietro Longhi

The life of a painting can be pretty unpredictable. Some are constantly on the move, reaching different parts of the world as they travel through time. When I started at the Getty as an intern, I had only recently returned… More»

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Posted in Behind the Scenes, Getty Research Institute, Photographs, Film, and Video

A Visit to Thomas Demand’s Studio

Thomas Demand in his Culver City studio with visitors from the Getty Research Institute
Thomas Demand in his Culver City studio, showing us the set of his latest work and his paper and cardboard constructions

During my work as a Multicultural Undergraduate Intern at the Getty this summer,  I was invited to join colleagues from the Getty Research Institute on a visit to artist Thomas Demand’s studio in Culver City. It was a memorable look… More»

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      everyartisthasabday:

      Botticelli’s Mystical Nativity was hidden for many centuries. Once found, it earned its name from both the unusual Nativity symbolism and Greek inscription at the top.

      Boticelli believed he was living through the Tribulation, which is clear in the mysterious inscription:

      This picture, at the end of the year 1500, in the troubles of Italy, I Alessandro, in the half-time after the time, painted, according to the eleventh chapter of Saint John, in the second woe of the Apocalypse, during the release of the devil for three-and-a-half years; then he shall be bound in the twelfth chapter and we shall see [him buried] as in this picture.

      It is the only surviving work with his signature.

      03/02/15

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