Monthly Archives: February 2012

Posted in Art, Behind the Scenes, Exhibitions and Installations, J. Paul Getty Museum, Sculpture and Decorative Arts

See the Decorative Arts from a New Angle

dec_arts

Do artworks have an inner life? You might think so when you visit a new exhibition opening today at the Getty Center. The Life of Art: Context, Collecting, and Display presents the life stories of four objects made to serve… More»

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Posted in Art, Getty Research Institute

Catalogs of Łańcut Castle Return Home, in Digital Form

Lancut Castle, Poland

The Research Library at the Getty Research Institute has recently finished digitizing historic catalogs of the library of Łańcut Castle in Podkarpackie, Poland, and making them available to the U.S. Consul General in Krakow and the director of the Łańcut… More»

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Posted in Architecture and Design, Behind the Scenes, Exhibitions and Installations, J. Paul Getty Museum

Creating a Canvas for “Pacific Standard Time: Crosscurrents”

Gallery view of Pacific Standard Time: Crosscurrents at the Getty Center

As you move through Pacific Standard Time: Crosscurrents in L.A.: Painting and Sculpture, closing this Sunday, the colors of the walls or the unusual angles of the wall panels might not be the first thing you notice. But Museum designers… More»

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Posted in Behind the Scenes, Gardens and Architecture, Getty Center, J. Paul Getty Museum

Ladybugs on the Lam!

Grounds and Gardens supervisor Michael DeHart with ladybugs

Artist Hirokazu Kosaka’s much anticipated presentation of “Kalpa” on January 20 at the Getty Center was an experimental performance spectacular, featuring hundreds of spools of thread being pulled in the mouths of Butoh dancers, and a shining spotlight that illuminated… More»

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      ROSE

      This milky pink boomed into popularity because of a marketing ploy, a mistress, and its ambiguous origins.

      In an effort to compete with the renowned Meissen porcelain factory, the French Sèvres manufactory recruited the glamorous Madame de Pompadour (mistress to King Louis XV). Like a smart sponsorship deal, Sèvres gave her all the porcelain she requested. 

      Introduced in 1757, this rich pink exploded on the scene thanks to favoritism by Madame Pompadour herself. 

      The glaze itself had a weird history. To the Europeans it looked Chinese, and to the Chinese it was European. It was made based on a secret 17th-century glassmaker’s technique, involving mixing glass with flecks of gold.

      For more on colors and their often surprising histories, check out The Brilliant History of Color in Art.

      12/19/14

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