Monthly Archives: March 2013

Posted in Behind the Scenes, Getty Foundation

Getting “CAM-my” with Alumni of the Getty Internship Program

Alumni of the Getty Foundation's Multicultural Undergraduate Internship Program
Big smiles, big progress: Alumni of the Getty Foundation's Multicultural Undergraduate Internship Program at the annual conference of the California Association of Museums (CAM)

An alumna of the Foundation’s Multicultural Undergraduate Internship Program reflects on making and sustaining connections. More»

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Posted in Behind the Scenes, Manuscripts and Books, Research, Voices

Creating “Getty Scholars’ Workspace”: Lessons from the Digital Humanities Trenches

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Getty Scholars’ Workspace, an online collaborative working environment, is taking shape at the Getty Research Institute. Lessons from the pilot project. More»

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Posted in Art, Publications, Research, Voices

It’s Time to Rethink and Expand Art History for the Digital Age

Google Image Search result for "Mona Lisa"
But is it art history? Google Image Search result for "Mona Lisa"

We need a 21st-century rethink of art history, one that takes us beyond academia to include artistic creation and the reception of artworks by the public. More»

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Posted in Architecture and Design, Exhibitions and Installations

Explore “Pacific Standard Time Presents: Modern Architecture in L.A.” on Newly Launched Website

Highways 5, 10, 60, and 101 Looking West, L.A. River and Downtown Beyond / Michael Light
Courtesy of and © Michael Light and Craig Krull Gallery, Santa Monica

Browse around L.A. faster than freeway travel (as if freeway travel is ever speedy). “Pacific Standard Time Presents” website sets new sights on how our city was made Modern. More»

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Posted in Art, Behind the Scenes, Publications, Research, Voices

Rethinking Art History | Getty Voices

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In the digital age, is art history still relevant? The discussion is needed, and needed now. More»

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Posted in Art, J. Paul Getty Museum, Paintings

Dear “Woman in Blue,” Let Me Tell You Of…

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“You will be forgotten. Your image, however, will be immortal. Through it, you will travel far—not by horse and cart, or merchant ship, but through the sky…” More»

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      #ProvenancePeek: July 31

      Every art object has a story—not only of how it was made, but of how it changed hands over time until it found its current home. That story is provenance.

      This small panel by Dutch master Gerrit Dou (photographed only in black and white) is now in the collection of the Sterling and Francine Clark Art Institute. It was sold to American collector Robert Sterling Clark, an heir to the Singer sewing machine fortune, in the summer of 1922.

      How do we know this? Archival sleuthing! A peek into the handwritten stock books of M. Knoedler & Co. (book 7, page 10, row 40, to be exact) records the Dou in “July 1922” (right page, margin). Turning to the sales books, which lists dates and prices, we again find the painting under the heading “New York July 1922,” with its inventory number 14892. A tiny “31” in superscript above Clark’s name indicates the date the sale was recorded.

      M. Knoedler was one of the most influential dealers in the history of art, selling European paintings to collectors whose collections formed the genesis of great U.S. museums. The Knoedler stock books have recently been digitized and transformed into a searchable database, which anyone can query for free.

      Girl at a Window, 1623–75, Gerrit Dou. Oil on panel, 10 9/16 x 7 ½ in. Sterling and Francine Clark Art Institute, Williamstown, Massachusetts


      #ProvenancePeek is a monthly series by research assistant Kelly Davis peeking into #onthisday provenance finds from the M. Knoedler & Co. archives at the Getty Research Institute.

      07/31/15

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