Monthly Archives: August 2014

Posted in Art, Exhibitions and Installations

Garry Winogrand’s Scenes of Ebulliance, and Unease

Coney Island, New York. c. 1952. Gelatin silver print, 8 11/16 x 12 15/16" (22 x 33 cm). Purchase and gift of Barbara Schwartz in memory of Eugene M. Schwartz. Estate of Garry Winogrand, courtesy of Fraenkel Gallery
Coney Island, New York. c. 1952. Gelatin silver print, 8 11/16 x 12 15/16" (22 x 33 cm). Purchase and gift of Barbara Schwartz in memory of Eugene M. Schwartz. Estate of Garry Winogrand, courtesy of Fraenkel Gallery

A retrospective now at the Met captures America’s postwar “out-of-control-ness” More»

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Posted in Art, J. Paul Getty Museum, Photographs, Film, and Video

The Bully Has Left the Room

Untitled / George Seeley
Untitled, about 1903, George Seeley. Platinum print, 19.2 x 24.3 cm. The J. Paul Getty Museum, Los Angeles, 84.XM.163.3.

While James Ensor is away, Pictorialist photographs will play. More»

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Posted in Art, Behind the Scenes, Education, J. Paul Getty Museum

Art for the Whole Body

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New tours combine movement, mindfulness, and sharing to engage with art “below the neck.” More»

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Posted in Behind the Scenes, Getty Villa

Aeschylus’s Persian Queen: An Actor’s Craft

SITI Company rehearses Persians
In rehearsal: Ellen Lauren (foreground) as the queen of Persia; Will Bond (left) as the Messenger

Bringing alive an ancient queen. More»

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Posted in Behind the Scenes, Getty Foundation, Getty Villa

5 Tips for Making the Most of an Arts Internship

Corinne (left) and Gaby (center) in a productive meeting with Getty Villa exhibitions coordinator Robin McCarthy (right)
DO participate in meetings! Corinne (left) and Gaby (center) in a productive meeting with Getty Villa exhibitions coordinator Robin McCarthy (right)

Road-tested advice for launching your career in an arts organization. More»

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Posted in Art, Getty Research Institute, Research

Getty Thesaurus of Geographic Names Released as Linked Open Data

Linked Open Data / Ellora Caves in India

Vast database of geographic places is now available for free download. More»

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Posted in Getty Center

Fashion Off the 405, Weekender Edition

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In focus: visitors’ weekend style. More»

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Posted in Behind the Scenes, Conservation, Getty Conservation Institute

Conservation Tools: The GC/MS Instrument

Joy Mazurek of the Getty Conservation Institute with a GC/MS instrument
Joy Mazurek of the Getty Conservation Institute explaining what happens inside the GC/MS instrument during analysis.

This scientific tool helps conservators understand artwork from the tiniest of samples. More»

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Posted in Behind the Scenes, Education, J. Paul Getty Museum

Everything You Wanted to Know about Medieval Arms and Armor

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Come see how arms and armor are made in free demos at the Getty Center. More»

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Posted in Ancient World, Getty Villa, J. Paul Getty Museum

A Guide to Aeschylus’s “Persians”

Ellen Lauren as Persian Queen Atossa against a backdrop of golden drapery
Play in progress: Ellen Lauren as Persian Queen Atossa against a backdrop of golden drapery. Photo: Sara Radamacher

A theater-goer’s guide to the western world’s oldest play. More»

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      It’s been 125 years since Van Gogh’s death, today we celebrate his life’s work.


      5 Ways to See Van Gogh’s Irises

      Through observations, visitor conversations, and some sneaky eavesdropping, we’ve compiled the top 5 ways people enjoy this painting.

      1. In a Crowd
        One of the most obvious ways that people see the painting is in a crowd. The gallery is almost always filled, and you might have to wait before you can get up close. The anticipation builds as you start in the back row, and slowly move until you are close enough to see the brushstrokes of Van Gogh’s thick paint.

      2. Online
        David from Colorado said that this was his first visit, but he had already seen the painting online. In addition to being available through the Getty’s Open Content program, the painting is often seen on social media. Just search #irises on Instagram for a taste of the painting’s popularity. 

      3. Alone
        If you arrive right at 10 a.m. when the museum opens, the quiet gallery provides a perfect backdrop to really examine the painting. Solitude and seclusion gives the gallery a sense of intimacy. 

      4. Multiple Times
        Repeat visits can give rise to multiple interpretations. Is it a melancholy or joyous painting? Expressive or depressive? 

      5. Internationally
        Visitors from all across the world viewed this famous Van Gogh. In just one hour you can hear multiple languages—French, Italian, Chinese, Korean, German, and more. Irises seems to rise above cultural boundaries—a Dutch painting inspired by Japanese ukiyo-e prints—to strike an emotional resonance amongst all viewers. 

      What is your favorite lens to view Van Gogh’s work through? 

      07/29/15

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