About: Lorena Patlán

Posted in Behind the Scenes, Exhibitions and Installations, Getty Villa

Career Profile: Marcus Adams, Antiquities Preparator

marcus_adams

This is the second in our series of Q&As on arts careers. We return from conservation in the field to discuss the behind-the-scenes work of a preparator. What do you do at the Getty? I’m a preparator—I set up and… More»

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Posted in Behind the Scenes, Getty Conservation Institute

Career Profile: Rand Eppich, Field Projects Manager

rand_eppich

This is the first in a series on the Iris about interesting and unusual arts careers. We begin with Rand Eppich of the Getty Conservation Institute, who has combined his skills in architecture, photography, technology, and teaching into a unique… More»

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      PRUSSIAN BLUE

      It started as a mistake, transformed workflow for architects, and revived Japanese print-making.

      Created as a result of mixing blood, potash, and iron sulfate while trying to make red cochineal dye, Prussian blue was announced officially in 1710. 

      Paper covered with ammonium ferric citrate plunged into potassium ferricyanide turned Prussian blue and preserved the image of objects set on top of the paper in the process. And thus the “cyanotype” was born.

      From there, architects found these “blue prints” useful to make copies of one drawing. Sound familiar?

      More in The Brilliant History of Color in Art

      The Italian Comedians, about 1720, Jean-Antoine Watteau. J. Paul Getty Museum.
      Equisetum sylvaticum, 1853, Anna Atkins; and Anne Dixon. J. Paul Getty Museum.

      01/28/15

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