Photographs, Film, and Video

I Have a Dream

<i>New York City</i> from <i>Black and White in America</i> Leonard Freed, 1963.  © Leonard Freed / Magnum Photos, Inc.

New York City from Black in White America, Leonard Freed, 1963. © Leonard Freed / Magnum Photos, Inc.

One night when I was 10, I sat down to do some homework, reading a speech in my history book. It was just another day, just another assignment.

But as I read this speech, I became confused and angry. Every day at school, I recited the Pledge of Allegiance, which promised that we in the United States are free and equal. All of us. And yet this speech was telling me otherwise.

As I kept reading, I had an awakening, a realization that the ideal world I’d grown up in wasn’t so perfect. I realized that the ideas behind our country’s founding were just that—ideas. They were dreams, hopes. Not reality. Not yet, at least.

But as I continued to read, my anger changed to hope, to a sense that the dream could become a part of the real America. And I knew I would have to make sure that I did my part to make it so.

It’s the 47th anniversary of the March on Washington, where Martin Luther King gave his “I Have a Dream” speech from the steps of the Lincoln Memorial.

Photographer Leonard Freed was there on that day, capturing the historic moment in the capitol. Seeing his pictures in the exhibition Engaged Observers: Documentary Photography since the Sixties reminded me of that shiver of awakening 30 years ago. You can see more of Freed’s work during this period in his pioneering photo essay Black in White America.

Much has changed. But these images, and today’s anniversary, remind me that we all still have work to do.

<i>Washington, D.C.</i> from <i>Black and White in America</i> Leonard Freed, 1963.  © Leonard Freed / Magnum Photos, Inc.

Washington, D.C. from Black in White America, Leonard Freed, 1963. © Leonard Freed / Magnum Photos, Inc.

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      myancientworld:

      hehasawifeyouknow:

      This could be my favourite Greek drinking vessel ever!

      ancientpeoples:

      Rhyton (Drinking Vessel) in the Shape of a Donkey Head

      c. 460 BC

      Greek, Attica

      This drinking cup could not have been set down without its contents spilling. It is fashioned after the head of a bridled donkey with a white muzzle, teeth, and ears. Like the naked satyr chasing a fleeing maenad on the vessel’s neck, the donkey belongs to the retinue of the wine god Dionysos. Douris, one of the great Athenian vase painters of first half of the fifth century B.C., decorated this amusing cup.

      Source: The Art Institute of Chicago

      In the morning, I’m making WAFFLES

      This cup has a built-in drinking game: it can’t be put down until empty.


      05/18/13

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