Art, Exhibitions and Installations, Getty Research Institute

Obsidian Mirror-Travels Explores Myths and Truths about Ancient Mexico

The current exhibition at the Getty Research Institute, Obsidian Mirror-Travels: Refracting Ancient Mexican Art and Archaeology, challenges our ideas of how we understand the past. More than 70 objects from the Colonial era to the present, including maps, books, photographs, engravings, and contemporary works, explore how artists, archaeologists, and artists have looked through a mirror darkly at ancient Mexico.

The fragments of Mexico’s Pre-Columbian past are exactly that: fragments. Visitors to the exhibition are invited to think about what fragments say about a past civilization—and what they might say about us. These pieces, like our projections onto them, change over time.

The past is rarely cohesive or reconciled, or even ever past, says scholar and author Khristaan Villela, who curated the exhibition with senior collections cataloguer Beth Guynn. “People of all kinds—explorers, professors and visual artists—continue to mine ancient Mexico for inspiration,” he says.

In this video he discusses how the exhibition came to be and gives you a taste of what you’ll see in the show.

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      What did death mean in Ancient life?

      An exhibition that looks at death and funerary practice through thirteen elaborate Apulian vases from Southern Italy now on view in Dangerous Perfection: Funerary Vases from Southern Italy!

      Funerary Vessel , South Italian, from Apulia, 340-310 B.C., terracotta red-figured volute krater< attributed to the Phrixos Group. Image © Staatliche Museen zu Berlin, Antikensammlung. Photo: Johannes Laurentius

      Funerary Vessel, South Italian, from Apulia, 350-325 B.C., terracotta red figured amphora attributed to the Darius Painter (the Hecuba Sub-Group).Image © Staatliche Museen zu Berlin, Antikensammlung. Photo: Johannes Laurentius

      11/22/14

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