Now that the Leonardo exhibition has closed, as co-curator—along with Anne-Lise Desmas, associate curator in the Department of Sculpture and the Decorative Arts—I can take stock of some of the things I’ve learned. I’m sad to see the exhibition...
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This is the second in our series of Q&As on arts careers. We return from conservation in the field to discuss the behind-the-scenes work of a preparator. What do you do at the Getty? I’m a preparator—I set up...
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Old media artifacts like silent films are traditionally thought of as being windows into their individual moments in time. But when they portray another era still—like the ancient world—they serve as a kind of mirror, telling the story of...
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Once a year, light and shadows align.
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I sat down last Wednesday night with some trepidation to watch the premiere of Bravo’s new reality show Work of Art: The Next Great Artist. For most artists and arts professionals, the show was a harrowing prospect—how can the...
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When British author Geoff Dyer came to speak at Zócalo Public Square at the Getty Museum, he was prepared to be a bore. “It’s going to be the classic definition,” he said, “the bore, the person who lectures you...
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How do people of different faiths read, interpret, and depict the sacred texts known in the Christian tradition as the Old Testament? Come explore the question with us this Sunday as Reverend Alexei Smith, director of the Office of...
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Off the tram, up the stairs and take a sharp right before going into the main entrance pavilion. Head into the building across from the Cafe. That’s where you’ll usually find the distinctive exhibitions of the Getty Research Institute...
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Visit the Getty Villa's herb garden for a peaceful stop on your tour.
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Spin control—it’s been around for centuries. Louis XIV, king of France from 1660 to 1715, was a master at it, using art—especially the work of his court painter, Charles Le Brun—to create and perpetuate a glorified image of his...
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For six months, I lived up the hill from Sunset and Coronado in Silverlake. I’d go to Mariela’s for burritos—always a little too watery, always with salsa not quite spicy enough, but cheap, and the size of a brick....
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It’s one thing to see a writer read her own work, but when someone else gets their hands on it, the fluid dynamic between story and storyteller is revealed. How much is the reader outside of the story, telling...
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