Art, Paintings

Scott Schaefer on the Meaning of Collecting

The Getty Museum’s retiring senior curator of paintings on art, access, and the cab ride he’ll never forget

One of the world’s great experts in European painting, Scott Schaefer is retiring from the Getty Museum this week. In his 14 years here, Scott has made it a point to walk in the galleries daily, asking security guards questions and answering them from the public. He even went undercover at the museum’s information desk once—because he values what you think and feel about the collection he’s helped to build for you.

We asked him to walk with us in the galleries one last time.

The museums in L.A. are so relatively new, Scott has taken to thinking of them collectively as “the greater museum of Los Angeles.”

“To me, it’s one museum in several locations,” said Scott, who also served as curator at LACMA. “There would be no point, for example, in the Getty—or any museum—buying a work of art by an artist who was already here unless it was better than that work or at least equal to it.”

We also asked Scott to divulge his favorite three paintings at the Getty, and share his answers with you here.

Farewell, Scott.

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      Photography of Troubled Dreams

      Japanese photographer Shiga Lieko works with local communities, immersing herself in them and incorporating their histories and myths into her photographs. Her series Rasen Kaigan (Spiral Shore) was created between 2009 and 2012 in Kitakama, Japan, a coastal village devastated by the earthquake and tsunami of March 11, 2011. The images possess a dreamlike, postapocalyptic quality that evokes myth, natural disaster, and trauma.

      Six from the series are included in the exhibition The Younger Generation: Contemporary Japanese Photography (through February 21).

      Three images from Shiga Lieko’s series Rasen Kaigan (Spiral Shore), from top: Rasen Kaigan 39 and Portrait of Cultivation, 2009; Rasen Kaigan 21, 2012. Chromogenic prints. The J. Paul Getty Museum, Purchased with funds provided by the Photographs Council, 2015.1.2.–.4 © Shiga Lieko

      02/13/16

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