The premise of The Aztec Pantheon and the Art of Empire is a unique one: that just as classical antiquity colored Spanish perceptions of Mesoamerica, the experience of Aztec civilization piqued curiosity about Renaissance Europe’s own ancient heritage. As...
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When British author Geoff Dyer came to speak at Zócalo Public Square at the Getty Museum, he was prepared to be a bore. “It’s going to be the classic definition,” he said, “the bore, the person who lectures you...
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How do people of different faiths read, interpret, and depict the sacred texts known in the Christian tradition as the Old Testament? Come explore the question with us this Sunday as Reverend Alexei Smith, director of the Office of...
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Off the tram, up the stairs and take a sharp right before going into the main entrance pavilion. Head into the building across from the Cafe. That’s where you’ll usually find the distinctive exhibitions of the Getty Research Institute...
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Visit the Getty Villa's herb garden for a peaceful stop on your tour.
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For six months, I lived up the hill from Sunset and Coronado in Silverlake. I’d go to Mariela’s for burritos—always a little too watery, always with salsa not quite spicy enough, but cheap, and the size of a brick....
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The American Association of Museums annual conference is in Los Angeles this week. In between sessions and schmoozing, AAM is hoping that conference attendees will have some fun playing games! To that end, AAM invited Kellian Adams, museum maven...
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On a recent Saturday night, nearly 20 visitors tried to make sense of a huge, mysterious painting in the Getty Center’s Flemish gallery. Mysterious, because our leader, Lilit Sadoyan, had covered up the painting’s accompanying wall text. We were...
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It’s one thing to see a writer read her own work, but when someone else gets their hands on it, the fluid dynamic between story and storyteller is revealed. How much is the reader outside of the story, telling...
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Many types of plastic used in artworks are now beginning to exhibit serious signs of deterioration – discoloration, crazing and cracking, warping, becoming sticky, and in extreme cases, turning completely to powder. The sheer number of plastics available constitutes a huge challenge for the conservation profession.
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On April 24, Italian businessman and eminent contemporary art collector Count Giuseppe Panza di Biumo, whose papers are held at the Getty Research Institute (GRI), passed away at the age of 87 in Milan, Italy. The first European collector...
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On a rainy afternoon at the Getty Center, two dozen students and teachers anxiously awaited the arrival of Natalie Merchant. Stopping at the Getty on her national tour, the singer-songwriter had invited them to attend a workshop on the...
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