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Getty Voices: OSCI and The Future of Digital Publishing

Anne Helmreich | July 8, 2013

Digital isn't just revolutionizing publishing—it's revolutionizing the museum.

Labeling Turner

Emily Beeny | March 7, 2011

Writing the gallery label for a painting can sometimes feel like an art form in itself, a kind of circumscribed descriptive poetry not unrelated to haiku. How, in fewer than 100 words, do you capture the essence of an...

A Tale of Two Beths

Robert Masello | January 12, 2011

When you write novels for a living, as I do, you get used to making things up—places, plots, people. What you don’t expect is to hear back from one of those characters you’ve cooked up out of thin air. Imagine...

Dürer’s Conserved “Adam” and “Eve” Unveiled at the Prado

Melissa Abraham | November 29, 2010

Inside the process of conserving a Renaissance masterpiece.

Career Profile: Albrecht Gumlich, Objects Conservator

Lorena Patlán | November 24, 2010

What do you do at the Getty? I’m an objects conservator at the Getty Research Institute. The GRI houses a vast research library, with all sort of material relating to art history. Our special collections contain photographs, prints and...