Art, Behind the Scenes, Exhibitions and Installations, J. Paul Getty Museum, Sculpture and Decorative Arts

See the Decorative Arts from a New Angle

Do artworks have an inner life? You might think so when you visit a new exhibition opening today at the Getty Center. The Life of Art: Context, Collecting, and Display presents the life stories of four objects made to serve beauty and function, offering you the chance to examine them closely to understand how they were made, how they’ve been used, and what’s happened to them over time.

Today this silver fountain is a museum object, but 300 years ago it did dirty work washing used tableware. Mounted on a plexiglass panel to reveal its back, a gilt-bronze wall light reveals clues about its past: breaks and repairs, its time in the rooms of a certain French queen, and what it must have been like to put its 14 pieces together (take stem A, now insert panel B…no wait…).

Interactive features on iPads in the galleries, as well as online and in a free iPad app, offer a touchable tour with more secrets about each object, encouraging you to explore in greater depth.

The four pieces are presented under dramatic lighting and at unexpected angles (see the photos above, taken from a motorized lift by one of our intrepid preparators)—very different from the more traditional display in the galleries. They’re also placed at a much lower height than usual, so you can pull up a chair and—is chat the right word? I think it is.

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      dominusvenustas:

      Andrea del SartoVarious studies, c.1520’s

      Son of a tailor (sarto). Andrea became one of the best loved artists of Florence. Vasari had good things to say about him.

      …Andrea del Sarto, in whose single person Nature and art showed all that painting can achieve by means of drawing, colouring and invention: and indeed if Andrea had possessed a little more boldness and daring of spirit, to match his very profound judgement and talent as a painter, he would, there is no doubt at all, have been without equal. 

      Browning wrote poems about him:

      Ah, but a man’s reach should exceed his grasp,
      Or what’s a heaven for?

      His drawings are natural, graceful and sensitive, an excellent draughtsman.

      …and he was very much in love with his wife… (something we don’t often hear about Renaissance artists!)

      Our curator Julian Brooks is in Florence now researching del Sarto for an exhibition in 2015.


      05/22/13

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