Aeschylus

Posted in Behind the Scenes, Getty Villa

Aeschylus’s Persian Queen: An Actor’s Craft

SITI Company rehearses Persians
In rehearsal: Ellen Lauren (foreground) as the queen of Persia; Will Bond (left) as the Messenger

Bringing alive an ancient queen. More»

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Posted in Ancient World, Getty Villa, J. Paul Getty Museum

A Guide to Aeschylus’s “Persians”

Ellen Lauren as Persian Queen Atossa against a backdrop of golden drapery
Play in progress: Ellen Lauren as Persian Queen Atossa against a backdrop of golden drapery. Photo: Sara Radamacher

A theater-goer’s guide to the western world’s oldest play. More»

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Posted in Behind the Scenes, Getty Villa, J. Paul Getty Museum

“Persians,” An Ancient Play Remade for the 21st Century

Persians by Aeschylus

Director Anne Bogart on remaking the Western world’s oldest play for the 21st century. More»

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Posted in Ancient World, J. Paul Getty Museum

Prometheus Bound: A God Stands Up for Humans’ Rights

Prometheus LA Mag
Look for these posters around town this summer. The photo shows Ron Cephas Jones performing the remarkable feat of embodying Prometheus while anchored to the 23-foot-tall rotating wheel.

Prometheus gave humans fire, and for that he was punished for all of eternity. His story is brought to life in the Villa’s outdoor theater this fall. More»

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      #ProvenancePeek: July 31

      Every art object has a story—not only of how it was made, but of how it changed hands over time until it found its current home. That story is provenance.

      This small panel by Dutch master Gerrit Dou (photographed only in black and white) is now in the collection of the Sterling and Francine Clark Art Institute. It was sold to American collector Robert Sterling Clark, an heir to the Singer sewing machine fortune, in the summer of 1922.

      How do we know this? Archival sleuthing! A peek into the handwritten stock books of M. Knoedler & Co. (book 7, page 10, row 40, to be exact) records the Dou in “July 1922” (right page, margin). Turning to the sales books, which lists dates and prices, we again find the painting under the heading “New York July 1922,” with its inventory number 14892. A tiny “31” in superscript above Clark’s name indicates the date the sale was recorded.

      M. Knoedler was one of the most influential dealers in the history of art, selling European paintings to collectors whose collections formed the genesis of great U.S. museums. The Knoedler stock books have recently been digitized and transformed into a searchable database, which anyone can query for free.

      Girl at a Window, 1623–75, Gerrit Dou. Oil on panel, 10 9/16 x 7 ½ in. Sterling and Francine Clark Art Institute, Williamstown, Massachusetts


      #ProvenancePeek is a monthly series by research assistant Kelly Davis peeking into #onthisday provenance finds from the M. Knoedler & Co. archives at the Getty Research Institute.

      07/31/15

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