America Tropical

Posted in Getty Conservation Institute

¡América Tropical! Celebrating a Siqueiros Masterpiece

Asumi on the viewing platform of the América Tropical Interpretive Center.
Asumi on the viewing platform of the América Tropical Interpretive Center.

A few weeks ago, on October 9, the much-anticipated unveiling of the recently conserved mural América Tropical by David Alfaro Siqueiros—one of the great Mexican artists of the 20th century—took place. Los Angeles mayor Antonio Villaraigosa and James Cuno, president… More»

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Posted in Conservation, Getty Conservation Institute

América Tropical Is Reborn on 80th Birthday

América Tropical after conservation in 2012. Mural: © ARS, New York / SOMAAP, Mexico City (c) J. Paul Getty Trust
Artwork: © ARS, New York / SOMAAP, Mexico City. Photo: © J. Paul Getty Trust

Today is América Tropical’s 80th birthday. Artist David Alfaro Siqueiros unveiled his mural to a disapproving Los Angeles on Sunday, October 9, 1932. Eighty years later his mural—L.A.’s mural—is now again publicly accessible. This is, frankly, a day that we… More»

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Posted in Conservation, Getty Conservation Institute, Philanthropy

A Big Lift for América Tropical

The canopy to protect the mural America Tropical, weighing 73,000 lbs and boasting an impressive 90-foot span, was lifted aloft by a construction crane and set into place.

Construction for the shelter, viewing platform, and interpretive center that will surround América Tropical, the only surviving public mural by David Alfaro Siqueiros in the United States still in its original location, is moving forward. The mural, located on the… More»

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      everyartisthasabday:

      Botticelli’s Mystical Nativity was hidden for many centuries. Once found, it earned its name from both the unusual Nativity symbolism and Greek inscription at the top.

      Boticelli believed he was living through the Tribulation, which is clear in the mysterious inscription:

      This picture, at the end of the year 1500, in the troubles of Italy, I Alessandro, in the half-time after the time, painted, according to the eleventh chapter of Saint John, in the second woe of the Apocalypse, during the release of the devil for three-and-a-half years; then he shall be bound in the twelfth chapter and we shall see [him buried] as in this picture.

      It is the only surviving work with his signature.

      03/02/15

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