animals in art

Posted in J. Paul Getty Museum, Photographs, Film, and Video, Publications

A Brief History of Animals in Photography

In the Box/Out of the Box / William Wegman
© William Wegman

Animals as photographic subject. More»

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Posted in Art, Sculpture and Decorative Arts

In This Unusual Exhibition, Sculpture Is Best Viewed by Car

Tiger 1, 2001, Gwynn Murrill, Edition 1 of 6, Bronze, 39 x 54 x 27 inches. Courtesy of LA Louver, Venice CA
Tiger 1, 2001, Gwynn Murrill, Edition 1 of 6, Bronze, 39 x 54 x 27 inches. Courtesy of LA Louver, Venice CA

Art best viewed from behind the wheel? In Century City, cast bronzes of SoCal fauna create an outdoor, drive-by art gallery. A tour. More»

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Posted in Art, Paintings, Photographs, Film, and Video, Prints and Drawings

Dogs Behaving Badly

A Merry Company / Jacob Jordaens
A Merry Company, about 1644, Jacob Jordaens. Watercolor and white gouache heightening over black chalk. The J. Paul Getty Museum, 2000.59

Most dogs are impeccably well behaved—in art, anyway. They sit quietly on laps, raise a paw for their beloved master, or contort themselves into perfect S curves. The king of Old Master dogs is Guercino’s heroic mastiff, who looks like… More»

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Posted in Art, Exhibitions and Installations, J. Paul Getty Museum, Manuscripts and Books

The Manuscript Files: An Impish Ape in a Medieval Zoo

Adam Naming the Animals in the Northumberland Bestiary / English

One of my favorite acquisitions of the past five years in the Getty’s manuscript collection is the Northumberland Bestiary (Ms. 100), featured currently in the Gothic Grandeur exhibition. A bestiary is a kind of medieval encyclopedia of animals. In addition… More»

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Posted in Art, J. Paul Getty Museum, Paintings

Anatomy of a Horse Painting

The Piebald Horse / Paulus Potter

In George Stubbs’s Brood Mares and Foals, which arrived at the Museum in October as a temporary anonymous loan, horses are sympathetically portrayed within the bucolic landscape of the English countryside. The overriding mood is idyllic, as a small coterie… More»

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      JAMES WELLING

      Artists in Light, Paper, Process connect to the history of photography in a tangible way. All seven of the artists in the show work with repetition, seeking to uncover how a similar technique or gesture can lead to unexpected results.

      For his sinuous Water series, James Welling plunged sheets of photographic paper into a basin, achieving through this simple act a remarkable variety of shapes, tones, and colors. “It’s the same gesture again and again, with each result different,” explained our photographs curator. “It’s not about achieving the perfect image one time only, but about mastering the gesture and seeing its diverse realizations.”


      Water, 2009, James Welling, chromogenic print. Courtesy of the artist and Regen Projects, Los Angeles. © James Welling

      07/30/15

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