antiquities

Posted in Antiquities, Getty Villa, J. Paul Getty Museum

Meet Jeffrey Spier, the Getty Museum’s New Antiquities Chief

Getty Museum's senior curator of antiquities, Jeffrey Spier, in the East Garden at the Getty Villa
Getty Museum's senior curator of antiquities, Jeffrey Spier, in the East Garden at the Getty Villa

What the Getty Museum’s new senior curator of antiquities has on his to-do list. More»

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Posted in Ancient World, Antiquities, J. Paul Getty Museum

Acrobatic Feats of the Ancient Wine Party

Fragmentary Mug with a Youth Drinking from a Wine Cup, 510–500 B.C., attributed to near the Theseus Painter, vase-painter; and to the Heron Class, potter. Greek, made in Athens. Terracotta, 6 1/4 in. high. The J. Paul Getty Museum, 76.AE.127. Gift of Lynda and Max Palevsky
Fragmentary Mug with a Youth Drinking from a Wine Cup, 510–500 B.C., attributed to near the Theseus Painter, vase-painter; and to the Heron Class, potter. Greek, made in Athens. Terracotta, 6 1/4 in. high. The J. Paul Getty Museum, 76.AE.127. Gift of Lynda and Max Palevsky

Wine makes a man do strange things. More»

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      ROSE

      This milky pink boomed into popularity because of a marketing ploy, a mistress, and its ambiguous origins.

      In an effort to compete with the renowned Meissen porcelain factory, the French Sèvres manufactory recruited the glamorous Madame de Pompadour (mistress to King Louis XV). Like a smart sponsorship deal, Sèvres gave her all the porcelain she requested. 

      Introduced in 1757, this rich pink exploded on the scene thanks to favoritism by Madame Pompadour herself. 

      The glaze itself had a weird history. To the Europeans it looked Chinese, and to the Chinese it was European. It was made based on a secret 17th-century glassmaker’s technique, involving mixing glass with flecks of gold.

      For more on colors and their often surprising histories, check out The Brilliant History of Color in Art.

      12/19/14

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