art restoration

Posted in Behind the Scenes, Conservation, Exhibitions and Installations, J. Paul Getty Museum, Prints and Drawings

Drawing the Line: Conserving Master Drawings with a Light Touch

Working on Study of Three Skulls. At top left, the disfiguring oil stain; at top right, the same area of the sheet after the pastel application.
Working on Study of Three Skulls. At top left, the disfiguring oil stain; at top right, the same area of the sheet after the pastel application.

The intriguing exhibition The Secret Life of Drawings—closing this Sunday at the Getty Center—unveils hidden clues to unfinished works on paper, undiscovered sketches, and details of the artist’s craft. It also reveals that making damaged art look presentable can be… More»

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Posted in Conservation, Getty Conservation Institute, Getty Foundation, Paintings

Dürer’s Conserved Adam and Eve Unveiled at the Prado

Conservator George Bisacca from the Metropolitan Museum of Art working on a panel. Image courtesy of the Museo del Prado

In 1507, German Renaissance painter Albrecht Dürer painted life-size figures of Adam and Eve, defining their forms with a fluid and continuous line.  These spectacular oil-on-panel paintings, which have just undergone a lengthy conservation, went on display again last week… More»

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      The Perfect Male Form?

      This bronze sculpture is a copy of an ancient Roman marble statue known as the Belvedere Antinous, long considered one of the most beautiful statues to survive from antiquity. Engravings of the statue were used as models in the study of perfect body proportions.

      The bronze was once owned by Louis XIV, who purchased bronze replicas of ancient sculptures to enhance his kingly magnificence.

      A Bronze God for the Sun King

      Belvedere Antinous, about 1630, attributed to Pietro Tacca. Bronze. The J. Paul Getty Museum

      Plate 11 in Gérard Audran, Proportions of the human body, measured from the most beautiful sculptures of antiquity, 1683. The Getty Research Institute

      07/05/15

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