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Posted in Art, Behind the Scenes

Art Experts Take to Twitter for Ask a Curator Day on Wednesday, September 17

Karen1
Poised for any question: Karen Hellman of the Getty Museum's Department of Photographs

Five Getty curators are on tap for a live Twitter Q&A this Wednesday. More»

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Posted in Art, Behind the Scenes

Talk to the World’s Art Experts Online during Ask-a-Curator Day, September 18

Bryan Keene / #AskaCurator
Manuscripts curator Bryan Keene awaits your #AskaCurator questions

Curators take Twitter on Wednesday to answer your questions big and small. More»

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Posted in Behind the Scenes, Getty Research Institute, J. Paul Getty Museum

We Answer Your Questions for Ask-a-Curator Day

Julian Brooks of the Getty Museum's Department of Drawings with an #askthecurator sign

Today is international Ask a Curator Day, when hundreds of museums around the world are calling for questions for curators on pretty much any subject under the sun. We’ve been collecting your questions here on The Iris, as well as… More»

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Posted in Behind the Scenes, Getty Research Institute, J. Paul Getty Museum

Ask Us! International Ask-a-Curator Day is Wednesday, September 19

Gravestone with a Woman and Her Attendant / Greek

Update—Questions and answers here! We’re excited to join hundreds of art, history, and science museums internationally to participate in Ask-a-Curator Day, an online Q&A in which our friendly art experts—curators and conservators at the Getty Museum and the Getty Research Institute—will… More»

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      ROSE

      This milky pink boomed into popularity because of a marketing ploy, a mistress, and its ambiguous origins.

      In an effort to compete with the renowned Meissen porcelain factory, the French Sèvres manufactory recruited the glamorous Madame de Pompadour (mistress to King Louis XV). Like a smart sponsorship deal, Sèvres gave her all the porcelain she requested. 

      Introduced in 1757, this rich pink exploded on the scene thanks to favoritism by Madame Pompadour herself. 

      The glaze itself had a weird history. To the Europeans it looked Chinese, and to the Chinese it was European. It was made based on a secret 17th-century glassmaker’s technique, involving mixing glass with flecks of gold.

      For more on colors and their often surprising histories, check out The Brilliant History of Color in Art.

      12/19/14

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