Austrian art

Posted in Exhibitions and Installations, J. Paul Getty Museum, Prints and Drawings

The Cult of Klimt

Study for the Figure of Lasciviousness (Beethoven Frieze) / Gustav Klimt
Study for the Figure of "Lasciviousness" (Beethoven Frieze), 1901, Gustav Klimt. Black Chalk. Albertina, Vienna, Gift of Elisabeth Lederer

July 14 marks the 150th anniversary of Gustav Klimt’s birth, an event celebrated by exhibitions and events in Vienna and right here at the Getty, with Gustav Klimt: The Magic of Line. This summer, we are in the grips of… More»

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Posted in Exhibitions and Installations, J. Paul Getty Museum, Prints and Drawings

Gustav Klimt, Draftsman

31887201

Gustav Klimt did not speak about his art, but he left many drawings that attest to the richness of his creative process. Gustav Klimt: The Magic of Line, opening today at the Getty Center, coaxes these drawings to speak, revealing… More»

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      ROSE

      This milky pink boomed into popularity because of a marketing ploy, a mistress, and its ambiguous origins.

      In an effort to compete with the renowned Meissen porcelain factory, the French Sèvres manufactory recruited the glamorous Madame de Pompadour (mistress to King Louis XV). Like a smart sponsorship deal, Sèvres gave her all the porcelain she requested. 

      Introduced in 1757, this rich pink exploded on the scene thanks to favoritism by Madame Pompadour herself. 

      The glaze itself had a weird history. To the Europeans it looked Chinese, and to the Chinese it was European. It was made based on a secret 17th-century glassmaker’s technique, involving mixing glass with flecks of gold.

      For more on colors and their often surprising histories, check out The Brilliant History of Color in Art.

      12/19/14

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