Betye Saar

Posted in Exhibitions and Installations, Sculpture and Decorative Arts

The Ordinary Becomes Mystical: A Conversation with Betye Saar

Betye Saar at the Getty Center, November 16, 2011

On a Sunday, you might find artist Betye Saar at the Pasadena College flea market, scouting for treasures. The energetic 85-year-old is still an active hunter of offbeat and unusual objects, which she combines into sculptures filled with personal, spiritual,… More»

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Posted in Exhibitions and Installations, Getty Center, Getty Conservation Institute, Getty Research Institute, J. Paul Getty Museum

Countdown to Pacific Standard Time

Ablutions performance at Guy Dill’s studio
Ablutions performance at Guy Dill’s studio, with Judy Chicago, Suzanne Lacy, Sandra Orgel, and Aviva Rahmani (Sponsored by Feminist Art Program at CalArts), 1972. The Getty Research Institute, Gift of Art in the Public Interest and 18th Street Arts Center, 2006.M.8.42. Photo courtesy Lloyd Hamrol

This morning we launched a new website dedicated to Los Angeles art from 1945 to 1980. Here you can get acquainted with Pacific Standard Time, the region-wide collaborative project that will tell the story of the L.A. art scene and… More»

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      I do not like crooked, twisted, blasted trees. I admire them much more if they are tall, straight, and flourishing. I do not like ruined, tattered cottages. I am not fond of nettles or thistles, or heath blossoms. I have more pleasure in a snug farm-house than a watch-tower—and a troop of tidy, happy villages please me better than the finest banditti in the world.”

      Marianne looked with amazement at Edward, with compassion at her sister. Elinor only laughed.

      —Jane Austen’s Sense and Sensibility, published on October 30, 1811

      Wooded Landscape by Paulus Lieder and Landscape with a Bare Tree and a Ploughman by Leon Bonvin, The J. Paul Getty Museum; Fantastic Oak Tree in the Woods, Carl Wilhelm Kolbe the Elder, The Getty Research Institute

      10/30/14

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