bibles

Posted in Art, Manuscripts and Books, Publications

Illuminating the End of Time

Page from Illuminating the End of Time from Getty Publications

2012 was the year proclaimed as the end of time by Mayan hieroglyphs, extra-terrestrial communicators, and bad disaster movies. The Getty Apocalypse, a medieval manuscript of the biblical Book of Revelation recently published as a facsimile by Getty Publications, suggests… More»

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Posted in Art, J. Paul Getty Museum, Manuscripts and Books

Far from Marginal: Images in the Margins of the Abbey Bible

Dominican and Franciscan Friars Singing at Lecterns, Conducted by Christ in the Abbey Bible / Italian

We use the word “marginal” to dismiss something as unimportant or trivial. But images in the margins of medieval books are so important they get their own name, marginalia, a Latin term that simply means “things in the margins.” Sometimes… More»

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Posted in Exhibitions and Installations, Getty Center, J. Paul Getty Museum, Manuscripts and Books

Interpreting Sacred Scripture across Faiths

Samson Fighting a Lion (detail), Franco-Flemish, about 1270
Samson Fighting a Lion (detail), Franco-Flemish, about 1270

How do people of different faiths read, interpret, and depict the sacred texts known in the Christian tradition as the Old Testament? Come explore the question with us this Sunday as Reverend Alexei Smith, director of the Office of Ecumenical… More»

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      ROSE

      This milky pink boomed into popularity because of a marketing ploy, a mistress, and its ambiguous origins.

      In an effort to compete with the renowned Meissen porcelain factory, the French Sèvres manufactory recruited the glamorous Madame de Pompadour (mistress to King Louis XV). Like a smart sponsorship deal, Sèvres gave her all the porcelain she requested. 

      Introduced in 1757, this rich pink exploded on the scene thanks to favoritism by Madame Pompadour herself. 

      The glaze itself had a weird history. To the Europeans it looked Chinese, and to the Chinese it was European. It was made based on a secret 17th-century glassmaker’s technique, involving mixing glass with flecks of gold.

      For more on colors and their often surprising histories, check out The Brilliant History of Color in Art.

      12/19/14

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