Black and white

Posted in Exhibitions and Installations, J. Paul Getty Museum, Photographs, Film, and Video

“Where You and Image Blend”: On Learning from Minor White

Somerville, Massachusetts / Carl Chiarenza
© Carl Chiarenza

“Concentration, contemplation, and meditation were at his core whether making, studying, listening, or engaging. He preferred to be alone with silence, spirit, self.” More»

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Posted in Exhibitions and Installations, Photographs, Film, and Video

Minor White and Me

Minor White in Connecticut, 1973 / John J. Weiss
© jjweiss 1973/2014

“There was an interminable pause. Then Minor cleared his throat once more and asked, ‘When can you start?’” More»

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Posted in Exhibitions and Installations, J. Paul Getty Museum, Photographs, Film, and Video

Transformed by Minor White

Vicinity of Naples, New York / Minor White
The Minor White Archive, Princeton University Art Museum, bequest of Minor White (MWA 55-48). © Trustees of Princeton University

“Two of Minor White’s images helped me to survive.” More»

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Posted in Art, Photographs, Film, and Video

Show Us Your #VictorianPose

#Victorian Pose

Look judgy and flash your monocle! The #VictorianPose sweepstakes is here. More»

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      I do not like crooked, twisted, blasted trees. I admire them much more if they are tall, straight, and flourishing. I do not like ruined, tattered cottages. I am not fond of nettles or thistles, or heath blossoms. I have more pleasure in a snug farm-house than a watch-tower—and a troop of tidy, happy villages please me better than the finest banditti in the world.”

      Marianne looked with amazement at Edward, with compassion at her sister. Elinor only laughed.

      —Jane Austen’s Sense and Sensibility, published on October 30, 1811

      Wooded Landscape by Paulus Lieder and Landscape with a Bare Tree and a Ploughman by Leon Bonvin, The J. Paul Getty Museum; Fantastic Oak Tree in the Woods, Carl Wilhelm Kolbe the Elder, The Getty Research Institute

      10/30/14

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