Cambodian Bronzes

Posted in Art, Exhibitions and Installations, J. Paul Getty Museum, Manuscripts and Books, Sculpture and Decorative Arts

The Buddha in Medieval Europe?

Left: Crowned Buddha, Cambodian, Angkor period, 1100s, bronze. National Museum of Cambodia, Phnom Penh. Right: King Avenir and Josaphat in Conversation (detail) in Barlaam and Josaphat, Follower of Hans Schilling, 1469. The J. Paul Getty Museum, MS. LUDWIG XV 9, fol. 320v

What does a 12th-century bronze sculpture from Cambodia have in common with a 15th-century manuscript from Germany?  Both, surprisingly, relate to the story of the Buddha. The exhibition Gods of Angkor: Bronzes from the National Museum of Cambodia is displayed… More»

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Posted in Conservation, Exhibitions and Installations, Getty Conservation Institute, Getty Foundation, Sculpture and Decorative Arts

Cambodia’s Enduring Mystery

Shiva's Bull, Nandin.  The National Museum of Cambodia.

The exhibition Gods of Angkor: Bronzes from the National Museum of Cambodia now on view at the Getty Center is a rare opportunity to experience first-hand the unique artistry of Khmer sculpture outside of Cambodia. At its height, the Khmer… More»

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      ROSE

      This milky pink boomed into popularity because of a marketing ploy, a mistress, and its ambiguous origins.

      In an effort to compete with the renowned Meissen porcelain factory, the French Sèvres manufactory recruited the glamorous Madame de Pompadour (mistress to King Louis XV). Like a smart sponsorship deal, Sèvres gave her all the porcelain she requested. 

      Introduced in 1757, this rich pink exploded on the scene thanks to favoritism by Madame Pompadour herself. 

      The glaze itself had a weird history. To the Europeans it looked Chinese, and to the Chinese it was European. It was made based on a secret 17th-century glassmaker’s technique, involving mixing glass with flecks of gold.

      For more on colors and their often surprising histories, check out The Brilliant History of Color in Art.

      12/19/14

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