Canterbury

Posted in Art, Exhibitions and Installations, Manuscripts and Books

They That Go Down To The Sea In Ships

The Calling of Saints Peter and Andrew / Master of the Brussels Initials
The Calling of Saints Peter and Andrew, about 1389–1404, Master of the Brussels Initials. Tempera colors, gold leaf, gold paint, and ink on parchment, 13 x 9 7/16 in. The J. Paul Getty Museum, Ms. 34, fol. 172

A reflection on the Feast of Saint Andrew, celebrated at Canterbury Cathedral. More»

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Posted in Art, Exhibitions and Installations, J. Paul Getty Museum, Manuscripts and Books, Voices

Getty Voices: Living with the St. Albans Psalter

Conservator's hands holding the parchment of the St. Albans Psalter
Artwork: Dombibliothek Hildesheim. Photo: Peter Kidd

Studying a precious manuscript, page by page, illumination by illumination. More»

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Posted in Art, Exhibitions and Installations

The Fearless Modernity of Canterbury Stained Glass

Leonie Seliger and Laura Atkinson
Leonie Seliger and Laura Atkinson, glass conservators from Canterbury Cathedral!

What does Jackson Pollock have to do with medieval stained glass? Leonie Seliger explains. More»

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Posted in Behind the Scenes, Exhibitions and Installations, J. Paul Getty Museum, Voices

Getty Voices: Designing Canterbury and St. Albans

The digital rendering of the installation of the pieces.
The digital rendering of the installation of the pieces.

Perfectly angled lecterns and a massive glass wall presented plenty of creative challenges for the designers of the exhibition “Canterbury and St. Albans.” More»

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      I do not like crooked, twisted, blasted trees. I admire them much more if they are tall, straight, and flourishing. I do not like ruined, tattered cottages. I am not fond of nettles or thistles, or heath blossoms. I have more pleasure in a snug farm-house than a watch-tower—and a troop of tidy, happy villages please me better than the finest banditti in the world.”

      Marianne looked with amazement at Edward, with compassion at her sister. Elinor only laughed.

      —Jane Austen’s Sense and Sensibility, published on October 30, 1811

      Wooded Landscape by Paulus Lieder and Landscape with a Bare Tree and a Ploughman by Leon Bonvin, The J. Paul Getty Museum; Fantastic Oak Tree in the Woods, Carl Wilhelm Kolbe the Elder, The Getty Research Institute

      10/30/14

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