career paths

Posted in Art, Exhibitions and Installations, Getty Research Institute

The Rise and Fall of Charles Le Brun: Q&A with Louis Marchesano

louis_marchesano_2

I talked to Louis Marchesano, curator of prints and drawings at the Getty Research Institute, about the exhibition Printing the Grand Manner: Charles Le Brun and Monumental Prints in the Age of Louis XIV, now on view at the GRI—how… More»

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Posted in Behind the Scenes, Exhibitions and Installations, Getty Villa

Career Profile: Marcus Adams, Antiquities Preparator

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This is the second in our series of Q&As on arts careers. We return from conservation in the field to discuss the behind-the-scenes work of a preparator. What do you do at the Getty? I’m a preparator—I set up and… More»

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Posted in Behind the Scenes, Getty Conservation Institute

Career Profile: Rand Eppich, Field Projects Manager

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This is the first in a series on the Iris about interesting and unusual arts careers. We begin with Rand Eppich of the Getty Conservation Institute, who has combined his skills in architecture, photography, technology, and teaching into a unique… More»

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Posted in Behind the Scenes, Conservation, Education, Getty Conservation Institute, Getty Villa

What’s Simmering in That Beaker? Understanding Ancient Technology by Manufacturing Pigments

Elizabeth Drolet filters mixtures of dye extracted from madder roots with different inorganic materials, such as alum, lye or chalk. The different inorganic materials used produce different shades of red.
Elizabeth Drolet filters mixtures of dye extracted from madder roots with different inorganic materials, such as alum, lye or chalk. The different inorganic materials used produce different shades of red.

Powdered saffron, simmering roots, crushed leaves…no, it’s not what’s cooking in the kitchen, but what’s been cooking at the Getty Villa this quarter for the UCLA/Getty Master’s Program in the Conservation of Archaeological and Ethnographic Materials. As part of a… More»

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Posted in Antiquities, Behind the Scenes, Conservation, Exhibitions and Installations, Getty Villa

How Do You Move an Aztec Deity? Very Carefully!

Installing The Aztec Pantheon and the Art of Empire

Objects you see in the galleries at the Getty Villa, whether monumental or miniature, weighing a few ounces or several tons, all require careful and complicated work to install. As a conservation mount maker, I’ve just finished working with my… More»

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    • photo from Tumblr

      Head flasks were a trend starting in the 1st century A.D.

      A little taller than 6 inches, this young man’s head could be filled with any liquid. 

      Blue Head Flask, A.D. 300 - 500, Roman. J. Paul Getty Museum.

      09/20/14

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