catalogues

Posted in Behind the Scenes, Getty Foundation, Publications

Online Museum Collection Catalogues, Mantra and Metaphor

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What do you want to be, a grocery store or a restaurant? More»

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Posted in Behind the Scenes, Getty Foundation, Publications

New Digital Publication Zooms in on Claude Monet

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New digital catalogue from the Art Institute of Chicago lets you get up close and personal with Monet’s brushstrokes. More»

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Posted in Behind the Scenes, Getty Foundation, J. Paul Getty Museum, Philanthropy, Publications

Online Scholarly Catalogues: Where Are We Now?

Cover of Moving Museum Catalogues Online, a Report from the Getty Foundation

How does the museum collections catalogue, traditionally made for print, fit into today’s world of apps, e-books, and iPhones? It turns out that going digital requires a profound rethinking of the ways in which art historical content can be interactively… More»

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Posted in Architecture and Design, Art, Getty Research Institute

Treasures from the Vault: Ray Kappe, Green Architecture Pioneer and SCI-ARC Founder

Architectural rendering of the Kappe residence. Ray Kappe papers, drawings, and models. The Getty Research Institute, 2008.M.36
Architectural rendering of the Kappe residence. Pacific Palisades, California. Ray Kappe, architect. Ray Kappe papers. Gift of Ray Kappe. The Getty Research Institute, 2008.M.36

Researchers interested in studying post-World War II architecture in Southern California will be excited to learn that a new archive is now fully catalogued and available for study: the Ray Kappe papers. The collection, part of the Getty Research Institute’s… More»

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Posted in Art, Exhibitions and Installations, Getty Research Institute

The First Modern Catalogue of an Art Collection: Q&A with Curator Louis Marchesano

View of a Room at Pommersfelden Palace / Johann Georg Pintz

In the 1700s, the seeds of a new style of presenting works of art—both on the wall and on the page—were planted by a German prince. I talked with Louis Marchesano, curator of prints and drawings at the Getty Research… More»

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      The Perfect Male Form?

      This bronze sculpture is a copy of an ancient Roman marble statue known as the Belvedere Antinous, long considered one of the most beautiful statues to survive from antiquity. Engravings of the statue were used as models in the study of perfect body proportions.

      The bronze was once owned by Louis XIV, who purchased bronze replicas of ancient sculptures to enhance his kingly magnificence.

      A Bronze God for the Sun King

      Belvedere Antinous, about 1630, attributed to Pietro Tacca. Bronze. The J. Paul Getty Museum

      Plate 11 in Gérard Audran, Proportions of the human body, measured from the most beautiful sculptures of antiquity, 1683. The Getty Research Institute

      07/05/15

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