Charles Le Brun

Posted in Art, Behind the Scenes, Getty Research Institute, Research

Recovering Lost History in Le Brun’s Prints

Crossing of the Granicus, Gérard Audran after Charles Le Brun, 1672. The Getty Research Institute, 2003.PR.33

In 2003 the Getty Research Institute acquired hundreds of 17th-century French prints that had been in the collection of a European noble family. This family had systematically, over hundreds of years, amassed an incredibly important collection of Old Master prints,… More»

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Posted in Art, Exhibitions and Installations, Getty Research Institute

The Rise and Fall of Charles Le Brun: Q&A with Louis Marchesano

louis_marchesano_2

I talked to Louis Marchesano, curator of prints and drawings at the Getty Research Institute, about the exhibition Printing the Grand Manner: Charles Le Brun and Monumental Prints in the Age of Louis XIV, now on view at the GRI—how… More»

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Posted in Behind the Scenes, Exhibitions and Installations, Getty Research Institute

Royal Propaganda, from Prints to Pixels

Queens of Persia at the Feet of Alexander (detail), Gérard Edelink after Charles Le Brun, ca. 1675

Spin control—it’s been around for centuries. Louis XIV, king of France from 1660 to 1715, was a master at it, using art—especially the work of his court painter, Charles Le Brun—to create and perpetuate a glorified image of his monarchy…. More»

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      #ThyCaptionBe: Warnings to the Rich & Powerful

      You captioned this detail. And we’re revealing the full story now.

      It would be awesome if this was Medieval hangman, or a really awkward frat party, but it’s actually the result of a one-letter swap gone wrong in a book about the fates of the rich. 

      Here’s the full story:

      You sometimes regret what pops out unexpectedly when you open your mouth, but in this case, even the fish must have been quite surprised when a wooly lamb burst forth. 

      The stories in this text by Giovanni Boccaccio warn of the terrible fate that often awaits the rich and powerful. He uses here the example of King Polycrates, who tossed a ring into a river, hoping for good luck, and found it later in the mouth of a fish. 

      Someone got confused, though, and instead of a ring (in French, annel), what came out instead was a lamb (agnel). Apparently, neither the ring nor the lamb worked because the king was later hanged (background).

      #ThyCaptionBe is a celebration of modern interpretations of medieval aesthetics. You guess what the heck is going on, then we myth-bust.

      08/31/15

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