Charles Le Brun

Posted in Art, Behind the Scenes, Getty Research Institute, Research

Recovering Lost History in Le Brun’s Prints

Crossing of the Granicus, Gérard Audran after Charles Le Brun, 1672. The Getty Research Institute, 2003.PR.33

In 2003 the Getty Research Institute acquired hundreds of 17th-century French prints that had been in the collection of a European noble family. This family had systematically, over hundreds of years, amassed an incredibly important collection of Old Master prints,… More»

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Posted in Art, Exhibitions and Installations, Getty Research Institute

The Rise and Fall of Charles Le Brun: Q&A with Louis Marchesano

louis_marchesano_2

I talked to Louis Marchesano, curator of prints and drawings at the Getty Research Institute, about the exhibition Printing the Grand Manner: Charles Le Brun and Monumental Prints in the Age of Louis XIV, now on view at the GRI—how… More»

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Posted in Behind the Scenes, Exhibitions and Installations, Getty Research Institute

Royal Propaganda, from Prints to Pixels

Queens of Persia at the Feet of Alexander (detail), Gérard Edelink after Charles Le Brun, ca. 1675

Spin control—it’s been around for centuries. Louis XIV, king of France from 1660 to 1715, was a master at it, using art—especially the work of his court painter, Charles Le Brun—to create and perpetuate a glorified image of his monarchy…. More»

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      Masked Harlequin, the commedia dell’arte’s leading man, lures an innocent, elegantly dressed young lady into the world of prostitution. She’s caught the eye of a displeased young man, dressed in dapper clothes. They stand out in this scene of costumed characters in exaggerated clothing. 

      Gillot’s light, quick brushstrokes mimics the satirical subject and lighthearted portrayal of human folly.

      Fashion Fridays explores art, history, and costume inspired by the exhibition Rococo to Revolution #NowOnView

      Scene from the Italian Comedy (recto), about 1700, Claude Gillot. The J. Paul Getty Museum

      07/25/14

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