conservation

Posted in Behind the Scenes, Conservation, Getty Conservation Institute

Conservation Tools: The Universal Testing Machine (UTM)

Associate Scientist Beril Bicer-Simsir placing a building material sample in the Universal Testing Machine.
Associate Scientist Beril Bicer-Simsir placing a building material sample in the Universal Testing Machine.

One machine to test them all! More»

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Posted in Conservation, Getty Conservation Institute

Google Summer of Code Pairs Up with Arches Project

Google Summer of Code Intern Palash Oswal (left) at an week-long Arches community workshop held in the UK this summer.
Google Summer of Code Intern Palash Oswal (left) at an week-long Arches community workshop held in the UK this summer.

Two Google-sponsored interns combine their interests in cultural heritage and tech development to work on this open-source software system More»

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Posted in Behind the Scenes, Conservation, Exhibitions and Installations, Getty Conservation Institute

Science Behind Glass

Getty Conservation Institute scientist Vincent Beltran working on high-tech frames
Photo: S. Warren

Santa Ana winds are no match for these high-tech frames. More»

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Posted in Behind the Scenes, Conservation, Getty Conservation Institute

The Flawless L.A. Look

Rachel Rivenc examines a mock-up made from unsaturated polyester resin using compositions corresponding to those used by Los Angeles-based artists in the 1960s and 1970s
Rachel Rivenc examines a mock-up made from unsaturated polyester resin using compositions corresponding to those used by Los Angeles-based artists in the 1960s and 1970s

Conservation scientists are working with L.A. artists to conserve their delicate sculpture. More»

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Posted in Antiquities, Behind the Scenes, Conservation, Getty Conservation Institute, J. Paul Getty Museum, Research, Voices

Getty Voices: Attic Pots and Atomic Particles

Image_03

How did the ancient Greeks make their characteristic red-and-black pottery? Modern science may finally yield the answer. More»

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      Vermeer’s interiors make possible a sort of encounter in which the painting completely disappears in the viewing, and the viewer is what is seen into, and this is the key to Vermeer’s true design and the source of his work’s mystery.“

      —poet Michael White

      The Milkmaid, ca, 1660. Rijksmuseum, Amsterdam

      Woman Reading a Letter, ca. 1663. Rijksmuseum, Amsterdam

      Young Woman with a Water Pitcher, ca. 1662. The Metropolitan Museum of Art, Marquand Collection, Gift of Henry G. Marquand, 1889. www.metmuseum.org

      03/28/15

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