conservation

Posted in Conservation, Getty Conservation Institute

Google Summer of Code Pairs Up with Arches Project

Google Summer of Code Intern Palash Oswal (left) at an week-long Arches community workshop held in the UK this summer.
Google Summer of Code Intern Palash Oswal (left) at an week-long Arches community workshop held in the UK this summer.

Two Google-sponsored interns combine their interests in cultural heritage and tech development to work on this open-source software system More»

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Posted in Behind the Scenes, Conservation, Exhibitions and Installations, Getty Conservation Institute

Science Behind Glass

Getty Conservation Institute scientist Vincent Beltran working on high-tech frames
Photo: S. Warren

Santa Ana winds are no match for these high-tech frames. More»

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Posted in Behind the Scenes, Conservation, Getty Conservation Institute

The Flawless L.A. Look

Rachel Rivenc examines a mock-up made from unsaturated polyester resin using compositions corresponding to those used by Los Angeles-based artists in the 1960s and 1970s
Rachel Rivenc examines a mock-up made from unsaturated polyester resin using compositions corresponding to those used by Los Angeles-based artists in the 1960s and 1970s

Conservation scientists are working with L.A. artists to conserve their delicate sculpture. More»

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Posted in Antiquities, Behind the Scenes, Conservation, Getty Conservation Institute, J. Paul Getty Museum, Research, Voices

Getty Voices: Attic Pots and Atomic Particles

Image_03

How did the ancient Greeks make their characteristic red-and-black pottery? Modern science may finally yield the answer. More»

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      I do not like crooked, twisted, blasted trees. I admire them much more if they are tall, straight, and flourishing. I do not like ruined, tattered cottages. I am not fond of nettles or thistles, or heath blossoms. I have more pleasure in a snug farm-house than a watch-tower—and a troop of tidy, happy villages please me better than the finest banditti in the world.”

      Marianne looked with amazement at Edward, with compassion at her sister. Elinor only laughed.

      —Jane Austen’s Sense and Sensibility, published on October 30, 1811

      Wooded Landscape by Paulus Lieder and Landscape with a Bare Tree and a Ploughman by Leon Bonvin, The J. Paul Getty Museum; Fantastic Oak Tree in the Woods, Carl Wilhelm Kolbe the Elder, The Getty Research Institute

      10/30/14

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