creativity

Posted in Art

“An Object Called Art”

Watts Towers by Simon Rodia / Los Angeles

More than a monument of outsider art, Watts Towers celebrate the creativity that exists in every human being. More»

Also tagged , , , , , 1 Response
Posted in Art, Exhibitions and Installations, J. Paul Getty Museum, Paintings

Write the Opening Line to Vermeer’s “Lady in Blue”

Detail of woman's face and letter in Woman in Blue Reading a Letter / Vermeer
Rijksmuseum, Amsterdam. On loan from the City of Amsterdam (A. van der Hoop Bequest)

What do you imagine the first line of this letter might say? Share your ideas, and we’ll continue the story. More»

Also tagged , , , , , , 195 Responses
Posted in Behind the Scenes, J. Paul Getty Museum, Photographs, Film, and Video

Herb Ritts, A New Documentary

Paul Martineau / still frame from Herb Ritts documentary

A 12-minute film on Herb Ritts was just released to complement the exhibition Herb Ritts: L.A. Style, newly extended through September 2. Here the film’s director reflects on getting to know the artist, who died in 2002, through extensive interviews… More»

Also tagged , , Leave a comment
Posted in Education, J. Paul Getty Museum

Andrei Codrescu: The Art Lesson

What's so funny? Andrei Codrescu against the Getty Center travertine.

Andrei Codrescu has some bad news for you. You, Web user, are running out of time. You may already suspect that you work for Mark Zuckerberg and your screens. But did you also know that you are on your way… More»

Also tagged , , , , , Leave a comment
  • Facebook

  • Twitter

  • Tumblr

    • photo from Tumblr

      ROSE

      This milky pink boomed into popularity because of a marketing ploy, a mistress, and its ambiguous origins.

      In an effort to compete with the renowned Meissen porcelain factory, the French Sèvres manufactory recruited the glamorous Madame de Pompadour (mistress to King Louis XV). Like a smart sponsorship deal, Sèvres gave her all the porcelain she requested. 

      Introduced in 1757, this rich pink exploded on the scene thanks to favoritism by Madame Pompadour herself. 

      The glaze itself had a weird history. To the Europeans it looked Chinese, and to the Chinese it was European. It was made based on a secret 17th-century glassmaker’s technique, involving mixing glass with flecks of gold.

      For more on colors and their often surprising histories, check out The Brilliant History of Color in Art.

      12/19/14

  • Flickr