Cuba

Posted in Art, Education, Exhibitions and Installations, J. Paul Getty Museum, Photographs, Film, and Video

Question of the Week: Do Americans See the World through a Distorted Lens?

Sol and Cuba, Old Havana, Looking North from Alberto Roja's 1951 Plymouth, Havana, Alex Harris, negative, May 23, 1998; print, December 2007. Chromogenic print, 30 1/8 x 37 3/4 in. The J. Paul Getty Museum, 2010.90.3. Gift of Michael and Jane Wilson, Wilson Centre for Photography © Alex Harris
Sol and Cuba, Old Havana, Looking North from Alberto Roja's 1951 Plymouth, Havana, Alex Harris, negative, May 23, 1998; print, December 2007. Chromogenic print, 30 1/8 x 37 3/4 in. The J. Paul Getty Museum, 2010.90.3. Gift of Michael and Jane Wilson, Wilson Centre for Photography © Alex Harris

Initially designating himself an “ignorant American,” photographer Alex Harris went to Cuba in 1998, camera in tow, without preconceived notions. He simply wondered what photography could tell him about this neighboring country that he, along with so many other Americans,… More»

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Posted in Art, Exhibitions and Installations, J. Paul Getty Museum, Photographs, Film, and Video

Three Contemporary Photographers on Cuba

Untitled (Havana), Alexey Titarenko, 2006. Gelatin silver print, 16 3/4 x 16 1/2 in. The J. Paul Getty Museum, 2010.70.2. © Alexey Titarenko
Untitled (Havana), Alexey Titarenko, 2006. Gelatin silver print, 16 3/4 x 16 1/2 in. The J. Paul Getty Museum, 2010.70.2. © Alexey Titarenko

What drew them to Cuba? We asked photographers Alex Harris, Virginia Beahan, and Alexey Titarenko, whose work is featured in the exhibition A Revolutionary Project: Cuba from Walker Evans to Now, to talk about what took them to the island,… More»

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Posted in Architecture and Design, Art, Exhibitions and Installations, J. Paul Getty Museum, Photographs, Film, and Video

Walker Evans’s Havana, through an Architect’s Lens

Havana Cinema, Walker Evans, 1933. The J. Paul Getty Museum, XXX. © Walker Evans Archive, The Metropolitan Museum of Art

Julio César Pérez Hernández, architect and author of Inside Cuba, visits the Getty Center this Thursday to talk about Cuban architecture in conjunction with the exhibition A Revolutionary Project: Cuba from Walker Evans to Now. Evans’s photographs of Cuba from… More»

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Posted in J. Paul Getty Museum, Photographs, Film, and Video

Havana Mon Amour

Cuban actor Sergio Corrieri in a still from Memories of Underdevelopment

This weekend, we’re screening a four-part film series, Soy Cuba!, that offers a brutal and beautiful look at Cuba through different perspectives in the 1960s (and one from 1959 with Our Man in Havana), a time of great transition and… More»

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Posted in Exhibitions and Installations

¡Sí Cuba! SoCal

title, Alex Harris

What is “¡Sí Cuba! SoCal,” you ask? Well, it all started in New York this spring with a multi-venue festival celebrating Cuban culture, called ¡Sí Cuba!. Then, coincidentally, several cultural institutions across Southern California, including we here at the Getty,… More»

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      ROSE

      This milky pink boomed into popularity because of a marketing ploy, a mistress, and its ambiguous origins.

      In an effort to compete with the renowned Meissen porcelain factory, the French Sèvres manufactory recruited the glamorous Madame de Pompadour (mistress to King Louis XV). Like a smart sponsorship deal, Sèvres gave her all the porcelain she requested. 

      Introduced in 1757, this rich pink exploded on the scene thanks to favoritism by Madame Pompadour herself. 

      The glaze itself had a weird history. To the Europeans it looked Chinese, and to the Chinese it was European. It was made based on a secret 17th-century glassmaker’s technique, involving mixing glass with flecks of gold.

      For more on colors and their often surprising histories, check out The Brilliant History of Color in Art.

      12/19/14

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