databases

Posted in Getty Research Institute, Paintings, Research

Database of Knoedler Gallery Stock Books Now Online

Scan of a Knoedler stock book
Scan of a Knoedler stock book noting inventory of paintings by Moreau, Gérôme, and others. The Getty Research Institute, 2012.M.54

New online: searchable records from the 19th-century stock books of famed art dealers Knoedler Gallery. More»

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Posted in Getty Research Institute, Research

New Report Visualizes Cultural History through “Big Data”

Birth to death migration in Europe, according to the Getty’s Union List of Artist Names, cumulated over all time to CE 2012. Blue dots indicate the births of notable individuals; red dots indicate deaths. © Maximilian Schich, 2014
Birth to death migration in Europe, according to the Getty’s Union List of Artist Names, cumulated over all time to CE 2012. Blue dots indicate the births of notable individuals; red dots indicate deaths. © Maximilian Schich, 2014

Using science to map art history. More»

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Posted in Art, Behind the Scenes, Getty Research Institute, Paintings, Research

Life Before eBay: British Art Auctions at the End of the 18th Century

britishsales_featured

A major new project traces the rise of the British art market in the late 1700s. More»

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Posted in Getty Research Institute, Research

The Future of Art Bibliography

Getty Research Institute at the Getty Center
Daylight exterior, GRI

Today art historians and librarians from Europe and the United States are coming together at New York’s Metropolitan Museum of Art at “The Future of Art Bibliography in the 21st Century.” This meeting, funded by the Kress Foundation and organized… More»

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      I do not like crooked, twisted, blasted trees. I admire them much more if they are tall, straight, and flourishing. I do not like ruined, tattered cottages. I am not fond of nettles or thistles, or heath blossoms. I have more pleasure in a snug farm-house than a watch-tower—and a troop of tidy, happy villages please me better than the finest banditti in the world.”

      Marianne looked with amazement at Edward, with compassion at her sister. Elinor only laughed.

      —Jane Austen’s Sense and Sensibility, published on October 30, 1811

      Wooded Landscape by Paulus Lieder and Landscape with a Bare Tree and a Ploughman by Leon Bonvin, The J. Paul Getty Museum; Fantastic Oak Tree in the Woods, Carl Wilhelm Kolbe the Elder, The Getty Research Institute

      10/30/14

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