documentary photography

Posted in Getty Research Institute, J. Paul Getty Museum, Photographs, Film, and Video

Remembering Lewis Baltz

Lewis Baltz, Paris, 1992
Lewis Baltz standing in front of his installation, Ronde de Nuit, Centre Pompidou, Paris, 1992

The influential photographer, writer, and teacher has passed. More»

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Posted in Art, Exhibitions and Installations, Photographs, Film, and Video

“We Are All the Same”: A Conversation with Josef Koudelka

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What makes an artist? Questions for the great Czech photographer. More»

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Posted in Photographs, Film, and Video

Two American Photographers at Home

Wales, boy pushing pram / Bruce Davidson
© Bruce Davidson/Magnum Photos

Two American photographers are united through a new exhibition at the Huntington. More»

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Posted in Art, Exhibitions and Installations

Garry Winogrand’s Scenes of Ebulliance, and Unease

Coney Island, New York. c. 1952. Gelatin silver print, 8 11/16 x 12 15/16" (22 x 33 cm). Purchase and gift of Barbara Schwartz in memory of Eugene M. Schwartz. Estate of Garry Winogrand, courtesy of Fraenkel Gallery
Coney Island, New York. c. 1952. Gelatin silver print, 8 11/16 x 12 15/16" (22 x 33 cm). Purchase and gift of Barbara Schwartz in memory of Eugene M. Schwartz. Estate of Garry Winogrand, courtesy of Fraenkel Gallery

A retrospective now at the Met captures America’s postwar “out-of-control-ness” More»

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Posted in Art, J. Paul Getty Museum, Photographs, Film, and Video

Children in Another World: The Photographs of Arthur Tress

Boy with Root Hands, New York, New York, 1971. Arthur Tress (American, born 1940). Gelatin silver print. The J. Paul Getty Museum, Los Angeles. © Arthur Tress.
Boy with Root Hands, New York, New York, 1971, Arthur Tress. Gelatin silver print, 10 1/16 x 10 3/16 in. The J. Paul Getty Museum, 2013.68.13. © Arthur Tress

The inner lives of children take form in the American photographer’s surreal, compelling images. More»

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Posted in Exhibitions and Installations, Getty Research Institute, Photographs, Film, and Video

Photographs of Africa from the Late 1800s

Women from Zanzibar, plate 40 / Edouard Foa
Women from Zanzibar, 1893, Edouard Foà. Albumen print in Views of Africa: Zanzibar et Côte-Quiloa-Dar es Salam-Tanga-Somalis, plate 40. Mount: 9 x 11 1/4 in. The Getty Research Institute, 93.R.114.1.2

Six albums by French explorer Edouard Foà reveal African society at the turn of the 20th century. More»

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Posted in Art, J. Paul Getty Museum, Photographs, Film, and Video

The Civil War in Pictures

Portrait of a Confederate Soldier/ unknown photographer
Portrait of a Confederate Soldier, about 1862, unknown photographer. Hand-colored ambrotype, 2 9/16 x 2 1/16 in. The J. Paul Getty Museum, 84.XT.818.16

The Civil War captured in early photographs, from young New Yorkers headed to the battlefield to Robert E. Lee one week after the surrender. More»

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Posted in Art, Photographs, Film, and Video

David Goldblatt’s Photographs of South Africa Join the Getty Museum’s Collection

David Goldblatt (South African, born 1930), Young Men with dompas, White City, Jabavu, Soweto, November 1972, Gelatin silver print, 22.9 x 22.9 cm (9 x 9 in.), The J. Paul Getty Museum, Los Angeles, Purchased with funds provided by the Photographs Council, © David Goldblatt
Purchased with funds provided by the Photographs Council. © David Goldblatt

Candid photographs of racially divided neighborhoods and cities during apartheid join the collection. More»

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Posted in Art, Education, Exhibitions and Installations, J. Paul Getty Museum, Photographs, Film, and Video

Question of the Week: Do Americans See the World through a Distorted Lens?

Sol and Cuba, Old Havana, Looking North from Alberto Roja's 1951 Plymouth, Havana, Alex Harris, negative, May 23, 1998; print, December 2007. Chromogenic print, 30 1/8 x 37 3/4 in. The J. Paul Getty Museum, 2010.90.3. Gift of Michael and Jane Wilson, Wilson Centre for Photography © Alex Harris
Sol and Cuba, Old Havana, Looking North from Alberto Roja's 1951 Plymouth, Havana, Alex Harris, negative, May 23, 1998; print, December 2007. Chromogenic print, 30 1/8 x 37 3/4 in. The J. Paul Getty Museum, 2010.90.3. Gift of Michael and Jane Wilson, Wilson Centre for Photography © Alex Harris

Initially designating himself an “ignorant American,” photographer Alex Harris went to Cuba in 1998, camera in tow, without preconceived notions. He simply wondered what photography could tell him about this neighboring country that he, along with so many other Americans,… More»

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Posted in Exhibitions and Installations, J. Paul Getty Museum, Photographs, Film, and Video

Seven Documentaries Inspired by Photojournalism

Kids + money: Megan, 11, and Ashley, 13, at their Calabasas home. Photograph by Lauren Greenfield/ INSTITUTE

“Witnesses in Action,” the documentary film series I curated earlier this month, followed the lenses of brave and talented photographers who took their cameras to far-flung locales. We started in mile-long factories in China, travelled to bizarre beached shipwrecks in… More»

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    • photo from Tumblr

      ROSE

      This milky pink boomed into popularity because of a marketing ploy, a mistress, and its ambiguous origins.

      In an effort to compete with the renowned Meissen porcelain factory, the French Sèvres manufactory recruited the glamorous Madame de Pompadour (mistress to King Louis XV). Like a smart sponsorship deal, Sèvres gave her all the porcelain she requested. 

      Introduced in 1757, this rich pink exploded on the scene thanks to favoritism by Madame Pompadour herself. 

      The glaze itself had a weird history. To the Europeans it looked Chinese, and to the Chinese it was European. It was made based on a secret 17th-century glassmaker’s technique, involving mixing glass with flecks of gold.

      For more on colors and their often surprising histories, check out The Brilliant History of Color in Art.

      12/19/14

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