Drawing from Antiquity

Posted in Education, J. Paul Getty Museum, Prints and Drawings

Five Tips for Sketching at the Museum

William Zaluski sketching J.M.W. Turner's Modern Rome at the Getty Center

Did you know that visitors to the Getty Museum are allowed—in fact, encouraged—to draw from the artworks in the galleries and on the grounds? Whether drawing to express yourself, to discover rich patterns or details in art, or to create… More»

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Posted in Antiquities, Education, Getty Villa, J. Paul Getty Museum

Drawing from Antiquity: A Chance to Slow Down Time

Artist and drawing enthusiast Jaime Ursic gives a lesson in the Education Studio at the Getty Villa.

Jaime Ursic believes everyone should study drawing. Not just because she’s an artist, but because it gives you two near-magical gifts: looking closely, and slowing down time. She’ll show you how to do both at Drawing from Antiquity, a free… More»

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      ROSE

      This milky pink boomed into popularity because of a marketing ploy, a mistress, and its ambiguous origins.

      In an effort to compete with the renowned Meissen porcelain factory, the French Sèvres manufactory recruited the glamorous Madame de Pompadour (mistress to King Louis XV). Like a smart sponsorship deal, Sèvres gave her all the porcelain she requested. 

      Introduced in 1757, this rich pink exploded on the scene thanks to favoritism by Madame Pompadour herself. 

      The glaze itself had a weird history. To the Europeans it looked Chinese, and to the Chinese it was European. It was made based on a secret 17th-century glassmaker’s technique, involving mixing glass with flecks of gold.

      For more on colors and their often surprising histories, check out The Brilliant History of Color in Art.

      12/19/14

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