drawing

Posted in Behind the Scenes, Exhibitions and Installations, J. Paul Getty Museum, Prints and Drawings, Voices

Researching the Renaissance

Julian Brooks in Florence with reproductions of Andrea del Sarto's Renaissance drawings
Florence, del Sarto, and I.

“It’s amazing to be immersed in Andrea del Sarto’s home city, his drawings, paintings, frescoes, and his life, normally all so far away when I’m in L.A.” More»

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Posted in Art, Behind the Scenes, Exhibitions and Installations, Prints and Drawings, Voices

Getty Voices: Looking East, Looking West

Stephanie and I (seated, far right) with colleagues at the National Museum of Korea, Seoul, in November 2011. Back row, standing: left to right: Lee Jae-jeong, Moon Dong Soo, Min Kil-hong. Front row, seated, left to right: Lee Won Bok, Burglind Jungmann, Stephanie Schrader, Jessie Park
Stephanie and I (seated, far right) with colleagues at the National Museum of Korea, Seoul, in November 2011. Back row, standing: left to right: Lee Jae-jeong, Moon Dong Soo, Min Kil-hong. Front row, seated, left to right: Lee Won Bok, Burglind Jungmann, Stephanie Schrader, Jessie Park

“Looking East” established a platform for international dialogue around art, history, and cultural exchange. More»

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Posted in Art, J. Paul Getty Museum, Prints and Drawings

Fragonard’s “Les Beignets”: How Much Sweeter Can Life Be?

Making Fritters (Les Beignets) / Jean-Honore Fragonard

In this time of uncertainty, art can bring pleasure to the eye, nourishment to the mind, and also solace to the heart. A work that does just this is Jean-Honoré Fragonard’s Making Fritters (Les Beignets), an enchanting drawing from about… More»

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Posted in Education, J. Paul Getty Museum, Prints and Drawings

Five Tips for Sketching at the Museum

William Zaluski sketching J.M.W. Turner's Modern Rome at the Getty Center

Did you know that visitors to the Getty Museum are allowed—in fact, encouraged—to draw from the artworks in the galleries and on the grounds? Whether drawing to express yourself, to discover rich patterns or details in art, or to create… More»

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Posted in Education, J. Paul Getty Museum, Photographs, Film, and Video

Draw a Tree with Us—It’s Easy!

Tree drawing by Rebecca Edwards inspired by Myoung Ho Lee's photograph

I have the good fortune to spend my days on a hillside with a view, in buildings filled with artistic treasures and surrounded by gardens. Still, I often amaze myself at how infrequently I take advantage of what’s around me…. More»

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Posted in Antiquities, Education, Getty Villa, J. Paul Getty Museum

Drawing from Antiquity: A Chance to Slow Down Time

Artist and drawing enthusiast Jaime Ursic gives a lesson in the Education Studio at the Getty Villa.

Jaime Ursic believes everyone should study drawing. Not just because she’s an artist, but because it gives you two near-magical gifts: looking closely, and slowing down time. She’ll show you how to do both at Drawing from Antiquity, a free… More»

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Posted in Education, Getty Center, J. Paul Getty Museum

Learning from the Old Masters at Getty Drawing Hour

Sketch after Frans Hals's painting Saint John the Evangelist from 1625–28

Looking for opportunities to exercise your creativity in 2011? Consider Getty Drawing Hour, a free program that offers a chance to draw from the Old Masters, with lessons—and plenty of encouragement—from a professional artist. I tried it out on a… More»

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Posted in Behind the Scenes, Getty Center, J. Paul Getty Museum, Sculpture and Decorative Arts

In the Sketching Gallery, It’s Time to Create!

A visitor to the Sketching Gallery draws from a plaster cast of Adrien de Vries's Juggling Man.
A visitor to the Sketching Gallery draws from a plaster cast of Adrien de Vries's Juggling Man.

Of all my docent duties, helping visitors in the Getty Center’s Sketching Gallery is one of my favorites. What do we offer? The tangibles are not that much: paper, a few pencils, a place to sit, and some works of… More»

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      All Hail Tiberius, Least Media-Savvy of the Roman Emperors

      Tiberius was proclaimed Roman emperor on September 17 in AD 14, exactly 2,000 years ago.

      He was also a bit wacko. “He was the least media-savvy emperor you could imagine,” says curator David Saunders, who has been in charge of this bronze portrait of Tiberius which leaves us on September 22. He point to this description found in the writings of Cassius Dio:

      Tiberius was a patrician of good education, but he had a most peculiar nature. He never let what he desired appear in his conversation, and what he said he wanted he usually did not desire at all. On the contrary, his words indicated the exact opposite of his real purpose; he denied all interest in what he longed for, and urged the claims of what he hated. He would exhibit anger over matters that were far from arousing his wrath, and make a show of affability where he was most vexed…In short, he thought it bad policy for the sovereign to reveal his thoughts; this was often the cause, he said, of great failures, whereas by the opposite course, far more and greater successes were attained.

      Moreover, David tells us, “Tiberius’s accession itself was a farrago: Tiberius sort-of feigning reluctance, the Senate bullying him, he being all, ‘Well, if-I-have-to,’ and in the end—according to Suetonius—saying he’ll do it as long as he can retire.”

      Suetonius is full of great, albeit spurious, anecdotes about poor old Tiberius, David reports. “When someone addressed him as ‘My Lord,’ it is said, Tiberius gave warning that no such insult should ever again be thrown at him.”

      Happy accession, My Lord!

      Portrait Head of Tiberius (“The Lansdowne Tiberius”), early 1st century A.D., Roman. The J. Paul Getty Museum

      Statue of Tiberius (detail), Roman, A.D. 37, Soprintendenza Speciale per i Beni Archeologici di Napoli e Pompei – Museo Archeologico Nazionale di Napoli, Laboratorio di Conservazione e Restauro. Currently on view at the Getty Villa following conservation and study.

      09/17/14

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