earthquake

Posted in Behind the Scenes, Conservation, J. Paul Getty Museum, Sculpture and Decorative Arts

All Shook Up! Protecting Art in an Earthquake

The Agrigento Youth
The Statue of a Kouros (The Agrigento Youth) on loan from the Museo Archeologico Regionale in Agrigento installed in the Getty Villa, October 2010.

When you look at sculpture in the Getty Museum’s galleries, you wouldn’t guess that some of the pedestals are somewhat unusual. Under their polished veneer, they’re engineered to protect art from the movements caused by earthquakes. Many museums in California… More»

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Posted in Getty Villa

Life After Disaster: A Conversation with Archaeologist Sandy MacGillivray

macgillivray

Canadian archaeologist Alexander “Sandy” MacGillivray studies disasters for a living. He’s an expert on one of the worst cataclysms in history, the eruption of the volcano on Thera (present-day Santorini, Greece) around 1500 B.C. Thera blackened the world’s skies, sent… More»

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Posted in Architecture and Design, Conservation, Getty Research Institute

An Update on the Earthquake in Chile

Earthquake damage at the Museo de Bellas Artes de Talca, Chile. Photo: Jorge Sacaan Riadi

The Getty Art & Architecture Thesaurus (AAT) is a tool for cataloging and retrieving art information. It is being translated into several languages. Our friend and colleague Lina Nagel (manager of the AAT Spanish translation project) at the Centro de… More»

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      ROSE

      This milky pink boomed into popularity because of a marketing ploy, a mistress, and its ambiguous origins.

      In an effort to compete with the renowned Meissen porcelain factory, the French Sèvres manufactory recruited the glamorous Madame de Pompadour (mistress to King Louis XV). Like a smart sponsorship deal, Sèvres gave her all the porcelain she requested. 

      Introduced in 1757, this rich pink exploded on the scene thanks to favoritism by Madame Pompadour herself. 

      The glaze itself had a weird history. To the Europeans it looked Chinese, and to the Chinese it was European. It was made based on a secret 17th-century glassmaker’s technique, involving mixing glass with flecks of gold.

      For more on colors and their often surprising histories, check out The Brilliant History of Color in Art.

      12/19/14

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