editors

Posted in Art, Manuscripts and Books

Medieval Copyediting

Decorated Canceled Page / Abbey Bible
Detail from a Decorated Canceled Page in the Abbey Bible, about 1250–62. Ms. 107, fol. 96v

Creative editorial practices, courtesy of the Middle Ages. More»

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Posted in Art, Behind the Scenes, Voices

Getty Voices: Does Text Still Matter?

Red pens, the editor's stock-in-trade

Where images are the primary sources, where does text fit in? Should museums uphold editorial standards, or go with the Web 2.0 flow? More»

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      gettypubs:

      ULTRAMARINE

      The vibrant blue in the above image of Saint George and the Dragon (Master of Buillebert de Mets, about 1450-55) still looks remarkably vivid to modern eyes, but to medieval readers it wouldn’t have just looked eye-catching—it would have looked expensive. Why? Because this particular blue pigment (ultramarine) required lapis lazuli, like the carved stone above (Roman, second century AD). For centuries all lapis was sourced from a single mountain range in Afghanistan, meaning that a French medieval manuscript with the color required a lot of financial resources! 

      For more on ultramarine and other shades of blue, check out The Brilliant History of Color in Art.

      Both objects are from the collection of the J. Paul Getty Museum.

      11/24/14

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