Engaged Observers

Posted in Education, Getty Center, J. Paul Getty Museum, Photographs, Film, and Video

High School Students Explore Photojournalism with Sudharak Olwe

olwe

Don’t call Sudharak Olwe a teacher. When the photojournalist from India met with a class from Venice High School at the Getty Center to discuss technique and creativity in photography, he turned the gathering from a workshop into a conversation…. More»

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Posted in Exhibitions and Installations, J. Paul Getty Museum, Photographs, Film, and Video

Seven Documentaries Inspired by Photojournalism

Kids + money: Megan, 11, and Ashley, 13, at their Calabasas home. Photograph by Lauren Greenfield/ INSTITUTE

“Witnesses in Action,” the documentary film series I curated earlier this month, followed the lenses of brave and talented photographers who took their cameras to far-flung locales. We started in mile-long factories in China, travelled to bizarre beached shipwrecks in… More»

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Posted in Getty Center, J. Paul Getty Museum, Photographs, Film, and Video

Friday Night: Susan Meiselas Discusses Her Work at the Getty Center

Traditional Indian dance mask adopted by the rebels during the fight against Somoza, Nicaragua, Susan Meiselas, negative 1978; print 1980s © Susan Meiselas / Magnum Photos
Photographer Susan Meiselas appears at the Getty Center this Friday evening to talk about her work and screen her 1991 film Pictures from a Revolution. Joining her to discuss the depiction of Latin America is Miguel Tinker Salas, professor of... More»
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Posted in Photographs, Film, and Video

I Have a Dream

New York City from Black and White in America Leonard Freed, 1963.  © Leonard Freed / Magnum Photos, Inc.
One night when I was 10, I sat down to do some homework, reading a speech in my history book. It was just another day, just another assignment. But as I read this speech, I became confused and angry. Every... More»
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      I do not like crooked, twisted, blasted trees. I admire them much more if they are tall, straight, and flourishing. I do not like ruined, tattered cottages. I am not fond of nettles or thistles, or heath blossoms. I have more pleasure in a snug farm-house than a watch-tower—and a troop of tidy, happy villages please me better than the finest banditti in the world.”

      Marianne looked with amazement at Edward, with compassion at her sister. Elinor only laughed.

      —Jane Austen’s Sense and Sensibility, published on October 30, 1811

      Wooded Landscape by Paulus Lieder and Landscape with a Bare Tree and a Ploughman by Leon Bonvin, The J. Paul Getty Museum; Fantastic Oak Tree in the Woods, Carl Wilhelm Kolbe the Elder, The Getty Research Institute

      10/30/14

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