Engaged Observers

Posted in Education, Getty Center, J. Paul Getty Museum, Photographs, Film, and Video

High School Students Explore Photojournalism with Sudharak Olwe

olwe

Don’t call Sudharak Olwe a teacher. When the photojournalist from India met with a class from Venice High School at the Getty Center to discuss technique and creativity in photography, he turned the gathering from a workshop into a conversation…. More»

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Posted in Exhibitions and Installations, J. Paul Getty Museum, Photographs, Film, and Video

Seven Documentaries Inspired by Photojournalism

Kids + money: Megan, 11, and Ashley, 13, at their Calabasas home. Photograph by Lauren Greenfield/ INSTITUTE

“Witnesses in Action,” the documentary film series I curated earlier this month, followed the lenses of brave and talented photographers who took their cameras to far-flung locales. We started in mile-long factories in China, travelled to bizarre beached shipwrecks in… More»

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Posted in Getty Center, J. Paul Getty Museum, Photographs, Film, and Video

Friday Night: Susan Meiselas Discusses Her Work at the Getty Center

Traditional Indian dance mask adopted by the rebels during the fight against Somoza, Nicaragua, Susan Meiselas, negative 1978; print 1980s © Susan Meiselas / Magnum Photos
Photographer Susan Meiselas appears at the Getty Center this Friday evening to talk about her work and screen her 1991 film Pictures from a Revolution. Joining her to discuss the depiction of Latin America is Miguel Tinker Salas, professor of... More»
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Posted in Photographs, Film, and Video

I Have a Dream

New York City from Black and White in America Leonard Freed, 1963.  © Leonard Freed / Magnum Photos, Inc.
One night when I was 10, I sat down to do some homework, reading a speech in my history book. It was just another day, just another assignment. But as I read this speech, I became confused and angry. Every... More»
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      #ProvenancePeek: June 30

      Every art object has a story—not only of how it was made, but of how it changed hands over time until it found its current home. That story is provenance.

      This portrait of actress Antonia Zárate by Goya is now part of the collection of the National Gallery of Ireland. The records of famed art dealer M. Knoedler & Co. at the Getty Research Institute reveal its recent provenance: the painting was sold by Knoedler on June 30, 1910, to financier Otto Beit. Part of his collection, including this painting, was later donated to the National Gallery of Ireland in Dublin. To this day the Gallery showcases some of its greatest masterpieces in the Beit Wing. This spread from a digitized Knoedler stock book records the transaction (second entry from top).

      M. Knoedler was one of the most influential dealers in the history of art. He sold European paintings to collectors (such as Henry Clay Frick, the Vanderbilts, and Andrew Mellon) whose collections formed the genesis of great museums such as the National Gallery of Art, the Metropolitan Museum of Art, the Frick Collection, the Huntington, and more. Knoedler’s stock books have recently been digitized and transformed into a searchable database, which anyone can query for free.

      Portrait of Doña Antonia Zárate, ca. 1805–06, José de Goya y Lucientes. Beit Collection, National Gallery of Ireland. Image courtesy of the National Gallery of Ireland.

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      #ProvenancePeek is a monthly series by research assistant Kelly Davis peeking into #onthisday provenance finds from the M. Knoedler & Co. archives at the Getty Research Institute.

      06/30/15

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