exhibition design

Posted in Behind the Scenes, Exhibitions and Installations, Prints and Drawings, Sculpture and Decorative Arts

Seven Things I Learned from “Leonardo da Vinci and the Art of Sculpture”

Banners for Leonardo da Vinci and the Art of Sculpture: Inspiration and Invention at the Getty Center

Now that the Leonardo exhibition has closed, as co-curator—along with Anne-Lise Desmas, associate curator in the Department of Sculpture and the Decorative Arts—I can take stock of some of the things I’ve learned. I’m sad to see the exhibition go,… More»

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Posted in Antiquities, Behind the Scenes, Exhibitions and Installations, Getty Villa

Curating The Aztec Pantheon

Tzitzimitl (Demon), Aztec, 1440–69, found near the Templo Mayor, Mexico City. Terracotta, stucco, and pigment, 176 x 80 x 50 cm. Museo del Templo Mayor, Mexico City. CONACULTA-INAH-MEX © foto zabé. Reproduction authorized by the National Institute of Anthropology and History
Tzitzimitl (Demon), Aztec, 1440–69, found near the Templo Mayor, Mexico City. Terracotta, stucco, and pigment, 176 x 80 x 50 cm. Museo del Templo Mayor, Mexico City. CONACULTA-INAH-MEX © foto zabé. Reproduction authorized by the National Institute of Anthropology and History

The premise of The Aztec Pantheon and the Art of Empire is a unique one: that just as classical antiquity colored Spanish perceptions of Mesoamerica, the experience of Aztec civilization piqued curiosity about Renaissance Europe’s own ancient heritage. As curators,… More»

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Posted in Exhibitions and Installations, Getty Research Institute

Think Local, Exhibit Global—Research Institute Exhibitions on the Move

Installation view of Art, Anti-Art, Non-Art: Experimentations in the Public Sphere in Postwar Japan, 1950-1970 at the University of Michigan Museum of Art. Photo: Randy Stegmeyer

Off the tram, up the stairs and take a sharp right before going into the main entrance pavilion. Head into the building across from the Cafe. That’s where you’ll usually find the distinctive exhibitions of the Getty Research Institute (GRI)…. More»

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      What is sunrise like at the Getty?

      “The fog was so thick we couldn’t see the sunrise when it came at 5:47am PT. There was no gong, no fanfare. Many of us were oblivious, engrossed in conversations with old friends or new acquaintances, awkwardly touching each other as per Ono’s instructions, or contemplating the obscured landscape. I looked at my companions, asking them “Was that it? Did we miss it?” That was it, but we hadn’t missed it at all.

      Piece by hyperallergic‘s Matt Stromberg. Read in full here.

      07/06/15

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