In the 1860s, an era fascinated with spiritualism—spirits, the supernatural, messages from the Great Beyond—a small-time engraver named William Mumler realized he could apply the latest technology of his day, photography, to create “spirit photographs.” Almost a visual séance, Mumler’s… More»
“I do not like crooked, twisted, blasted trees. I admire them much more if they are tall, straight, and flourishing. I do not like ruined, tattered cottages. I am not fond of nettles or thistles, or heath blossoms. I have more pleasure in a snug farm-house than a watch-tower—and a troop of tidy, happy villages please me better than the finest banditti in the world.”
Marianne looked with amazement at Edward, with compassion at her sister. Elinor only laughed.
—Jane Austen’s Sense and Sensibility, published on October 30, 1811
Wooded Landscape by Paulus Lieder and Landscape with a Bare Tree and a Ploughman by Leon Bonvin, The J. Paul Getty Museum; Fantastic Oak Tree in the Woods, Carl Wilhelm Kolbe the Elder, The Getty Research Institute