fakes

Posted in Art, J. Paul Getty Museum, Photographs, Film, and Video

Boo! Don’t Look Now, But I See a Ghost

Mrs. Chapin oil merchant & his spirit wife & babe recognized / William H. Mumler

In the 1860s, an era fascinated with spiritualism—spirits, the supernatural, messages from the Great Beyond—a small-time engraver named William Mumler realized he could apply the latest technology of his day, photography, to create “spirit photographs.” Almost a visual séance, Mumler’s… More»

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Posted in Art, Education, J. Paul Getty Museum, Sculpture and Decorative Arts

Question of the Week: Fake vs. Real—Does It Matter?

Cabinet, French, 1580 - details of the wood carving and metal ornaments

Question of the Week is a series inspired by our Masterpiece of the Week tours, offered daily at 4:00 p.m. Featuring an open and upbeat discussion among visitors and gallery teachers, the tours feature a new object and pose a… More»

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      ROSE

      This milky pink boomed into popularity because of a marketing ploy, a mistress, and its ambiguous origins.

      In an effort to compete with the renowned Meissen porcelain factory, the French Sèvres manufactory recruited the glamorous Madame de Pompadour (mistress to King Louis XV). Like a smart sponsorship deal, Sèvres gave her all the porcelain she requested. 

      Introduced in 1757, this rich pink exploded on the scene thanks to favoritism by Madame Pompadour herself. 

      The glaze itself had a weird history. To the Europeans it looked Chinese, and to the Chinese it was European. It was made based on a secret 17th-century glassmaker’s technique, involving mixing glass with flecks of gold.

      For more on colors and their often surprising histories, check out The Brilliant History of Color in Art.

      12/19/14

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