Florence at the Dawn of the Renaissance

Posted in Art, J. Paul Getty Museum, Manuscripts and Books, Research

Revisiting a Florentine Master

Left: A Bust of a Pope-Saint, about 1310-1315, Pacino di Bonaguida.  Pot-metal and clear glass, black and brown vitreous paint, 35 13/16 x 26 3/8 in. Museo dell’Opera di Santa Croce, Fondo Edifici di Culto, Ministero dell’Interno, Florence. Center: Saint Francis in Antiphonary, about 1320, Pacino di Bonaguida.  Tempera colors and gold leaf on parchment, 20 ½ x 13 15/16in.  Archivio di Santa Croce, Florence, Corale Q, fol. 121v (Photo: Bryan C. Keene). Right: Chiarito Tabernacle (detail), 1340s, Pacino di Bonaguida. Gilded gesso and tempera on panel, 39 7/8 x 44 11/16 in. The J. Paul Getty Museum, 85.PB.311
Left: A Bust of a Pope-Saint, about 1310-1315, Pacino di Bonaguida. Pot-metal and clear glass, black and brown vitreous paint, 35 13/16 x 26 3/8 in. Museo dell’Opera di Santa Croce, Fondo Edifici di Culto, Ministero dell’Interno, Florence. Center: Saint Francis in Antiphonary, about 1320, Pacino di Bonaguida. Tempera colors and gold leaf on parchment, 20 ½ x 13 15/16in. Archivio di Santa Croce, Florence, Corale Q, fol. 121v (Photo: Bryan C. Keene). Right: Chiarito Tabernacle (detail), 1340s, Pacino di Bonaguida. Gilded gesso and tempera on panel, 39 7/8 x 44 11/16 in. The J. Paul Getty Museum, 85.PB.311

New research on Pacino di Bonaguida, a central figure in the rise of the Renaissance in Florence. More»

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Posted in Art, Conservation, Getty Conservation Institute, Manuscripts and Books, Paintings

What Do Rocks Have to Do with Renaissance Art?

jerome_azurite_featured

Why the manuscript illuminations in Florence at the Dawn of the Renaissance really rock. More»

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Posted in Exhibitions and Installations, J. Paul Getty Museum, Manuscripts and Books, Paintings

A Call to Arms! Heraldry in Renaissance Florence (And a Mystery You Can Help Solve)

virgin_child
The Virgin and Child Surrounded by Saints, between 1350 and 1365, Follower of Bernardo Daddi (possibly Pietro Nelli). Tempera and gold leaf on panel, 37 ½ x 26 in. (95.3 x 66 cm). Portland Art Museum, 61.51

Heraldry is a fascinating and complex system by which coats of arms are devised and decoded.  My familial arms—yes, my family has a coat of arms, and yours may have too—are composed of an intricate grouping of objects, including a… More»

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Posted in Behind the Scenes, Conservation, Getty Foundation, Paintings, Philanthropy

Conserving Pacino di Bonaguida: My Getty Foundation Fellowship

Madonna and Child with Saints / Pacino

The Panel Paintings Initiative is training the next generation of conservators of paintings on wood panels, and including professionals from Eastern Europe is a high priority. In this post, Polish conservator Aleksandra Hola describes her experience with the program. For… More»

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Posted in Architecture and Design, Behind the Scenes, Exhibitions and Installations, J. Paul Getty Museum

Church Pews and iPads? Designing “Florence at the Dawn of the Renaissance”

Installation view of Florence at the Dawn of the Renaissance showing pews and iPads
Installation view of Florence at the Dawn of the Renaissance showing the design treatment for a gateway object, Giotto's Peruzzi Altarpiece from about 1309–15. (North Carolina Museum of Art, Raleigh, Gift of the Samuel H. Kress Foundation, GL.60.17.7). At left, The Virgin Mary with Saints Thomas Aquinas and Paul, about 1330, Bernardo Daddi. The J. Paul Getty Museum. At right, the Carmina regia manuscript, about 1335–40, Pacino di Bonaguida. The British Library

When we first started planning for the design of Florence at the Dawn of the Renaissance in the fall of 2011, we faced a major challenge: how to deliver the wealth of information we wanted to convey about the artworks…. More»

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Posted in Behind the Scenes, Exhibitions and Installations, J. Paul Getty Museum

How Do You Sing The Renaissance? Lionheart Does a Roaring Good Job

Pentecost in the Laudario of Sant'Agnese / Master of the Dominican Effigies

We’re welcoming Lionheart, one of America’s leading ensembles in vocal chamber music, for a concert this Saturday. Their performance of music from the early Renaissance complements the exhibition Florence at the Dawn of the Renaissance: Painting and Illumination, 1300-1350. The… More»

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Posted in Exhibitions and Installations, J. Paul Getty Museum

Actor Peter Weller Discusses Renaissance Florence (and Answers Your Questions!)

Peter Weller in Padua
Actor Peter Weller in Padua, Italy

Actor and director Peter Weller is known for his many film and television roles, most famously Robocop in Paul Verhoeven’s campy classic. However, Weller’s interests go far beyond the camera—he is a scholar of Italian Renaissance art who is completing… More»

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Posted in Exhibitions and Installations, J. Paul Getty Museum, Paintings

From the Black Death to Black Friday

Saint Eloy in His Goldsmith’s Workshop / Master of the Misericordia
Saint Eloy in His Goldsmith’s Workshop, about 1370, Master of the Misericordia. Tempera and gold leaf on panel, 13 3/4 x 15 3/8 in. Museo Nacional del Prado, Madrid, no. 2841

There’s been a lot of talk about shopping over the past few days, from Black Friday to Cyber Monday (now expanded to Cyber Week). In late medieval Florence, shopping—for art—was also all the rage. In the years leading up to the… More»

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Posted in Exhibitions and Installations, J. Paul Getty Museum, Paintings

Everyone’s Talking about Giotto

Panel paintings by Giotto: Virgin and Child and Crucifixion

There’s been almost seven hundred years of chatter about Giotto di Bondone (about 1267–1337), a painter from Florence considered one of the greatest artists of all time. After six years of careful planning and negotiation, we at the Getty Museum are… More»

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Posted in Art, Exhibitions and Installations, J. Paul Getty Museum, Manuscripts and Books

Meet the Artist Who Helped Launch the Renaissance in Florence

The Ascension of Christ from the Laudario of Sant’Agnese / Pacino di Bonaguida

In the early 1300s, 150 years before Leonardo and Michelangelo walked its streets, Florence was a hotbed of artistic production and creativity. Three works in the Getty Museum’s collection produced in the city at this dynamic moment—all by the same… More»

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      What did death mean in Ancient life?

      An exhibition that looks at death and funerary practice through thirteen elaborate Apulian vases from Southern Italy now on view in Dangerous Perfection: Funerary Vases from Southern Italy!

      Funerary Vessel , South Italian, from Apulia, 340-310 B.C., terracotta red-figured volute krater< attributed to the Phrixos Group. Image © Staatliche Museen zu Berlin, Antikensammlung. Photo: Johannes Laurentius

      Funerary Vessel, South Italian, from Apulia, 350-325 B.C., terracotta red figured amphora attributed to the Darius Painter (the Hecuba Sub-Group).Image © Staatliche Museen zu Berlin, Antikensammlung. Photo: Johannes Laurentius

      11/22/14

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