Francesco Guardi

Posted in Art, J. Paul Getty Museum, Paintings

A Portrait of Venice Unmasked

The Painter in His Studio / Pietro Longhi

The life of a painting can be pretty unpredictable. Some are constantly on the move, reaching different parts of the world as they travel through time. When I started at the Getty as an intern, I had only recently returned… More»

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Posted in Getty Center, J. Paul Getty Museum, Paintings

Travel Postcards, 18th-Century Style

The Grand Canal, Venice, Canaletto, DATE TK. Private collection

Picture this: You’re in the 18th century taking a Grand Tour across Europe, making all the “in” stops such as France and Italy. Before heading back home, you have one final task: buying souvenirs! You’ve taken fencing lessons in Paris,… More»

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      I do not like crooked, twisted, blasted trees. I admire them much more if they are tall, straight, and flourishing. I do not like ruined, tattered cottages. I am not fond of nettles or thistles, or heath blossoms. I have more pleasure in a snug farm-house than a watch-tower—and a troop of tidy, happy villages please me better than the finest banditti in the world.”

      Marianne looked with amazement at Edward, with compassion at her sister. Elinor only laughed.

      —Jane Austen’s Sense and Sensibility, published on October 30, 1811

      Wooded Landscape by Paulus Lieder and Landscape with a Bare Tree and a Ploughman by Leon Bonvin, The J. Paul Getty Museum; Fantastic Oak Tree in the Woods, Carl Wilhelm Kolbe the Elder, The Getty Research Institute

      10/30/14

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