Frederick Hammersley

Posted in Conservation, Getty Conservation Institute, Paintings, Research

The Value of Record Keeping: Frederick Hammersley’s Painting Books

Frederick Hammersley's paints and studio tools / Albuquerque, New Mexico
Frederick Hammersley's paints and studio tools as left on his painting table at his home studio in Albuquerque, New Mexico.

The artist’s remarkably detailed records offer a huge boon to conservation science. More»

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Posted in Art, Getty Research Institute, Paintings, Research

Frederick Hammersley Foundation Donates Archive to the Getty Research Institute

Page from Notebook 3 / Frederick Hammersley
Page from Notebook 3, Frederick Hammersley, 1978. Artwork © Frederick Hammersley Foundation

“Despite their precise lines and construction, Hammersley’s work displays a personal touch, guided by his belief in intuition as an important principle for art making.” More»

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      I do not like crooked, twisted, blasted trees. I admire them much more if they are tall, straight, and flourishing. I do not like ruined, tattered cottages. I am not fond of nettles or thistles, or heath blossoms. I have more pleasure in a snug farm-house than a watch-tower—and a troop of tidy, happy villages please me better than the finest banditti in the world.”

      Marianne looked with amazement at Edward, with compassion at her sister. Elinor only laughed.

      —Jane Austen’s Sense and Sensibility, published on October 30, 1811

      Wooded Landscape by Paulus Lieder and Landscape with a Bare Tree and a Ploughman by Leon Bonvin, The J. Paul Getty Museum; Fantastic Oak Tree in the Woods, Carl Wilhelm Kolbe the Elder, The Getty Research Institute

      10/30/14

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