gallery programs

Posted in Exhibitions and Installations, Paintings

Thumbs Up or Thumbs Down? Looking at Gérôme’s “Pollice Verso”

Pollice Verso: Detail of vestal virgins in the stands / Gerome

Visitors are captivated by The Spectacular Art of Jean-Léon Gérôme.  I met a couple from Miami who were so intrigued by a review of the exhibition in The Art Newspaper that they decided to fly to L.A. to see it. … More»

Also tagged , , , , 7 Responses
Posted in Education, Getty Villa

Museum Educators Get Creative with Focus Tours

Gallery teacher Amber Wells leads a discussion in the Athletes and Competition gallery at the Getty Villa.

Three o’clock is a good time to be at the Getty Villa. Depending on the time of year, the afternoon light might be streaming through the haze over the Inner Peristyle, a cool fog might be blowing in over the… More»

Also tagged , , , , 1 Response
Posted in Education, Getty Center, J. Paul Getty Museum

Art Circles—Better than Bowling

The Angel Appearing to Elijah, Ferdinand Bol, about 1643–4. Private Collection, New York
The Angel Appearing to Elijah, Ferdinand Bol, about 1643–4. Private Collection, New York

On a recent Saturday night, nearly 20 visitors tried to make sense of a huge, mysterious painting in the Getty Center’s Flemish gallery. Mysterious, because our leader, Lilit Sadoyan, had covered up the painting’s accompanying wall text. We were forced… More»

Also tagged , , , , , , 1 Response
  • Facebook

  • Twitter

  • Tumblr

    • photo from Tumblr

      #ProvenancePeek: July 31

      Every art object has a story—not only of how it was made, but of how it changed hands over time until it found its current home. That story is provenance.

      This small panel by Dutch master Gerrit Dou (photographed only in black and white) is now in the collection of the Sterling and Francine Clark Art Institute. It was sold to American collector Robert Sterling Clark, an heir to the Singer sewing machine fortune, in the summer of 1922.

      How do we know this? Archival sleuthing! A peek into the handwritten stock books of M. Knoedler & Co. (book 7, page 10, row 40, to be exact) records the Dou in “July 1922” (right page, margin). Turning to the sales books, which lists dates and prices, we again find the painting under the heading “New York July 1922,” with its inventory number 14892. A tiny “31” in superscript above Clark’s name indicates the date the sale was recorded.

      M. Knoedler was one of the most influential dealers in the history of art, selling European paintings to collectors whose collections formed the genesis of great U.S. museums. The Knoedler stock books have recently been digitized and transformed into a searchable database, which anyone can query for free.

      Girl at a Window, 1623–75, Gerrit Dou. Oil on panel, 10 9/16 x 7 ½ in. Sterling and Francine Clark Art Institute, Williamstown, Massachusetts


      #ProvenancePeek is a monthly series by research assistant Kelly Davis peeking into #onthisday provenance finds from the M. Knoedler & Co. archives at the Getty Research Institute.

      07/31/15

  • Flickr