GCI

Posted in Conservation, Getty Conservation Institute, Paintings, Research

The Value of Record Keeping: Frederick Hammersley’s Painting Books

Frederick Hammersley's paints and studio tools / Albuquerque, New Mexico
Frederick Hammersley's paints and studio tools as left on his painting table at his home studio in Albuquerque, New Mexico.

The artist’s remarkably detailed records offer a huge boon to conservation science. More»

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Posted in Architecture and Design, Behind the Scenes, Conservation, Getty Conservation Institute

What’s in a Wood? How Science Helps to Reveal the Eames’ Vision

The living room in the Eames House after conservation and reinstallation
The living room in the Eames House after conservation and reinstallation of the collection. The floor-to-ceiling wall of beautiful golden wood serves as the stunning backdrop for the room. Getty Conservation Institute

Conservators make an intriguing finding about the wood in the Eames House. More»

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Posted in Behind the Scenes, Conservation, Education, Getty Conservation Institute, Getty Foundation

Conserving and Protecting Mosaics in the Mediterranean: The MOSAIKON Initiative

Detail of a mosaic from the Maison de la Nouvelle Chasse, Bulla Regia, Tunisia
Detail of a mosaic from the Maison de la Nouvelle Chasse, Bulla Regia, Tunisia

Featuring over 300 Roman and Byzantine mosaics, Bulla Regia in Tunisia is serving as an outdoor lab for mosaics conservation and training. More»

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Posted in Behind the Scenes, Education, Getty Conservation Institute

Graduate Internships Offer Hands-On Opportunities for Emerging Conservation Professionals

Julia Langenbacher conducts an FTIR analysis of an architectural model of a proposal for Disney Hall
Julia Langenbacher conducts an FTIR analysis of an architectural model of a proposal for Disney Hall by architect James Stering in the conservation studio at the Getty Research Institute. With permission of the Canadian Centre for Architecture, Montreal

What do graduate interns do all year at the Conservation Institute? Study, travel, learn from colleagues, and launch fascinating careers. More»

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Posted in Behind the Scenes, Conservation, Getty Conservation Institute, Research, Voices

Behind the Scenes at the GCI | Getty Voices

GCI Lab \ Beril Bicer-Simsir
Scientist Beril Bicer-Simsir testing grouts in the Getty Conservation Institute's laboratories.

A relatively new discipline, conservation science merges art and analysis to solve thorny conservation problems. More»

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Posted in Behind the Scenes, Conservation, Getty Conservation Institute

Peru Field Notebook: An Update from Kuño Tambo

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A field team from the Conservation Institute reaches a milestone in its efforts to preserve earthen buildings from earthquakes. More»

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Posted in Behind the Scenes, Conservation, Getty Conservation Institute, Voices

Getty Voices: The Stones of Rome

Detail of a stone fountain in Rome, Italy, showing damage caused by weathering
Rome is defined by its beautiful stone buildings, bridges, and sculptures. But stone isn't eternal, even in the Eternal City. Photo: Scott S. Warren

Conservators from around the world have gathered in Rome to learn techniques for preserving stone artworks and monuments. More»

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Posted in Antiquities, Behind the Scenes, Conservation, Getty Conservation Institute, J. Paul Getty Museum, Research, Voices

Getty Voices: Attic Pots and Atomic Particles

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How did the ancient Greeks make their characteristic red-and-black pottery? Modern science may finally yield the answer. More»

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Posted in Behind the Scenes, Conservation, Getty Conservation Institute, Voices

Getty Voices: Peru Field Notebook

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Our new Getty Voices series kicks off with a weeklong view into one of the Getty Conservation Institute’s international field projects. More»

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Posted in Art, Exhibitions and Installations, J. Paul Getty Museum, Manuscripts and Books

Meet the Artist Who Helped Launch the Renaissance in Florence

The Ascension of Christ from the Laudario of Sant’Agnese / Pacino di Bonaguida

In the early 1300s, 150 years before Leonardo and Michelangelo walked its streets, Florence was a hotbed of artistic production and creativity. Three works in the Getty Museum’s collection produced in the city at this dynamic moment—all by the same… More»

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    • photo from Tumblr

      This is called a sauceboat.

      Well, this is actually two pieces. A sauceboat (lined in gilt silver) and a flowing leafy stand.

      In the 1700s, strict eating rituals known as service à la française and the rise in popularity of soups and stews meant that intricate designs for liquid-holding vessels such as this were in demand.

      02/01/15

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