GCI

Posted in Behind the Scenes, Conservation, Getty Conservation Institute

Conservation Tools: The USB Digital Microscope

Conservators learn how to perform analysis of biological growth in a cemetery in Rome during the International Course on Stone Conservation. Photo: Scott Warren for the GCI
Conservators learn how to perform analysis of biological growth in a cemetery in Rome during the International Course on Stone Conservation. Photo: Scott Warren for the GCI

The USB microscope: portable, high-tech, and high-powered. More»

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Posted in Conservation, Getty Conservation Institute, Getty Foundation

Advancing Conservation Practice, One Intern At a Time

Former intern Elsa Bourguinon with GCI’s Tom Roby working on the Hieroglyphic Stairway at Copán, Honduras in 2001. Photo: Richard Ross
Former intern Elsa Bourguinon with GCI’s Tom Roby working on the Hieroglyphic Stairway at Copán, Honduras in 2001. Photo: Richard Ross

Graduate internships at the Getty Conservation Institute offer training in both conservation and leadership. More»

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Posted in Conservation, Getty Conservation Institute

Google Summer of Code Pairs Up with Arches Project

Google Summer of Code Intern Palash Oswal (left) at an week-long Arches community workshop held in the UK this summer.
Google Summer of Code Intern Palash Oswal (left) at an week-long Arches community workshop held in the UK this summer.

Two Google-sponsored interns combine their interests in cultural heritage and tech development to work on this open-source software system More»

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Posted in Behind the Scenes, Conservation, Getty Conservation Institute

Conservation Tools: The GC/MS Instrument

Joy Mazurek of the Getty Conservation Institute with a GC/MS instrument
Joy Mazurek of the Getty Conservation Institute explaining what happens inside the GC/MS instrument during analysis.

This scientific tool helps conservators understand artwork from the tiniest of samples. More»

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Posted in Behind the Scenes, Conservation, Exhibitions and Installations, Getty Conservation Institute

Science Behind Glass

Getty Conservation Institute scientist Vincent Beltran working on high-tech frames
Photo: S. Warren

Santa Ana winds are no match for these high-tech frames. More»

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Posted in Behind the Scenes, Conservation, Getty Conservation Institute

The Flawless L.A. Look

Rachel Rivenc examines a mock-up made from unsaturated polyester resin using compositions corresponding to those used by Los Angeles-based artists in the 1960s and 1970s
Rachel Rivenc examines a mock-up made from unsaturated polyester resin using compositions corresponding to those used by Los Angeles-based artists in the 1960s and 1970s

Conservation scientists are working with L.A. artists to conserve their delicate sculpture. More»

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Posted in Exhibitions and Installations, Getty Conservation Institute, J. Paul Getty Museum

Letting Jackson Pollock’s “Mural” Speak for Itself

Tom Learner and Alan Phenix of the Getty Conservation Institute with Jackson Pollock's Mural
Tom Learner (left) and Alan Phenix of the Getty Conservation Institute with Jackson Pollock's Mural

“It was time to do something.” Jackson Pollock’s Mural, conserved. More»

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Posted in Art, Behind the Scenes, Conservation, Getty Research Institute

Lifted Cellulose Nitrate: Conserving an Early Robert Mapplethorpe Object

Untitled box / Robert Mapplethorpe
© Robert Mapplethorpe Foundation

A conservator’s view of a complex and unusual object by Robert Mapplethorpe. More»

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Posted in Behind the Scenes, Conservation, Education, Getty Conservation Institute

Boot Camp for Conservators Explores X-Ray Fluorescence Spectrometry

XRF analysis of The Title Makers / Alfred Jensen
Artwork: Yale University Art Gallery

In a joint Yale-Getty program, conservators learn to harness physics to analyze art. More»

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Posted in Conservation, Getty Conservation Institute, Paintings, Research

The Value of Record Keeping: Frederick Hammersley’s Painting Books

Frederick Hammersley's paints and studio tools / Albuquerque, New Mexico
Frederick Hammersley's paints and studio tools as left on his painting table at his home studio in Albuquerque, New Mexico.

The artist’s remarkably detailed records offer a huge boon to conservation science. More»

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      Whose Values?, a collaborative project between Barbara Kruger and local high school students, asks some big questions. Here’s what our visitors have been saying.

      What do you fear?

      07/01/15

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