Gérard Audran

Posted in Art, Behind the Scenes, Getty Research Institute, Research

Recovering Lost History in Le Brun’s Prints

Crossing of the Granicus, Gérard Audran after Charles Le Brun, 1672. The Getty Research Institute, 2003.PR.33

In 2003 the Getty Research Institute acquired hundreds of 17th-century French prints that had been in the collection of a European noble family. This family had systematically, over hundreds of years, amassed an incredibly important collection of Old Master prints,… More»

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Posted in Art, Exhibitions and Installations, Getty Research Institute

The Rise and Fall of Charles Le Brun: Q&A with Louis Marchesano

louis_marchesano_2

I talked to Louis Marchesano, curator of prints and drawings at the Getty Research Institute, about the exhibition Printing the Grand Manner: Charles Le Brun and Monumental Prints in the Age of Louis XIV, now on view at the GRI—how… More»

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      I do not like crooked, twisted, blasted trees. I admire them much more if they are tall, straight, and flourishing. I do not like ruined, tattered cottages. I am not fond of nettles or thistles, or heath blossoms. I have more pleasure in a snug farm-house than a watch-tower—and a troop of tidy, happy villages please me better than the finest banditti in the world.”

      Marianne looked with amazement at Edward, with compassion at her sister. Elinor only laughed.

      —Jane Austen’s Sense and Sensibility, published on October 30, 1811

      Wooded Landscape by Paulus Lieder and Landscape with a Bare Tree and a Ploughman by Leon Bonvin, The J. Paul Getty Museum; Fantastic Oak Tree in the Woods, Carl Wilhelm Kolbe the Elder, The Getty Research Institute

      10/30/14

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