Getty Conservation Institute

Posted in Exhibitions and Installations, Getty Conservation Institute, J. Paul Getty Museum

Letting Jackson Pollock’s “Mural” Speak for Itself

Tom Learner and Alan Phenix of the Getty Conservation Institute with Jackson Pollock's Mural
Tom Learner (left) and Alan Phenix of the Getty Conservation Institute with Jackson Pollock's Mural

“It was time to do something.” Jackson Pollock’s Mural, conserved. More»

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Posted in Behind the Scenes, Conservation, Getty Conservation Institute

Rings of Fire: Research at Synchrotron Facilities

Synchrotron Research Center
Late night at the Synchrotron Research Center in Stoughton, WI.

Conservation science never sleeps! And sometimes conservation scientists don’t either. What is it like to run experiments during the graveyard shift? More»

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Posted in Ancient World, Conservation, Getty Conservation Institute

Inside the Bulla Regia Model Field Project | Getty Voices

GCI consultant and project team member, Livia Alberti, working with conservation technician Mondher Habachi. Photo: Scott S. Warren
GCI consultant and project team member, Livia Alberti, working with conservation technician Mondher Habachi. Photo: Scott S. Warren

What does it take to preserve an entire ancient Roman structure? More»

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Posted in Architecture and Design, Behind the Scenes, Conservation, Getty Conservation Institute

What’s in a Wood? How Science Helps to Reveal the Eames’ Vision

The living room in the Eames House after conservation and reinstallation
The living room in the Eames House after conservation and reinstallation of the collection. The floor-to-ceiling wall of beautiful golden wood serves as the stunning backdrop for the room. Getty Conservation Institute

Conservators make an intriguing finding about the wood in the Eames House. More»

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Posted in Art, Conservation, Getty Conservation Institute, Photographs, Film, and Video, Publications, Research

Getty Conservation Institute Releases Critical New Resource for Conserving Historic Photographs

An early carbon photograph by Adolphe Brown, Two Girls (detail), date unknown. Private collection.
An early carbon photograph by Adolphe Brown, Two Girls (detail), date unknown. Private collection

This new digital publication offers science-based tools to identify how photographs were made. More»

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Posted in Architecture and Design, Art, Behind the Scenes, Conservation, Getty Conservation Institute

The Eames House – Conserving a California Icon

GCI staff Emily Macdonald-Korth carrying out paint excavation on exterior metal work.

A multidisciplinary team is investigating the iconic Eames House in order to preserve it for the future. More»

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Posted in Architecture and Design, Conservation, Getty Conservation Institute

Architecture Critic Paul Goldberger Advises “Don’t Squeeze Out All the Fresh Air”

Paul Goldberger
Paul Goldberger

“We’re much more sensitive in general to historic buildings than we once were.” How to move forward while preserving the past. More»

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Posted in Behind the Scenes, Conservation, Getty Conservation Institute, Research

Mars Rover Technology Helps Unlock Art Mysteries

Giacomo Chiari, head of the science department at the Getty Conservation Institute, examines the painting on the west wall in the tomb of King Tutankhamen

This coming weekend, NASA’s latest Mars Rover, Curiosity, is scheduled to touch down on the Red Planet to begin two years of scientific discovery, helping scientists unlock some of the planet’s as yet undiscovered secrets. Interestingly, the same technology being… More»

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Posted in Conservation, Getty Conservation Institute, Philanthropy

A Big Lift for América Tropical

The canopy to protect the mural America Tropical, weighing 73,000 lbs and boasting an impressive 90-foot span, was lifted aloft by a construction crane and set into place.

Construction for the shelter, viewing platform, and interpretive center that will surround América Tropical, the only surviving public mural by David Alfaro Siqueiros in the United States still in its original location, is moving forward. The mural, located on the… More»

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Posted in Behind the Scenes, Conservation, Getty Conservation Institute, Research

From Green Umber to Azurite, Walnut Oil to Egyptian Sandstone, Reference Collection Helps Scientists Analyze Art Data

The Getty Conservation Institute's Art Kaplan, examining mineral samples found in the Reference Collection.

Art Kaplan is on a mission. At my request, he’s looking for a particular yellow pigment to show me—and there are hundreds of yellows to choose from, in drawers labeled Yellow Ochre, Lemon Ochre, Golden Yellow, French Yellow, and labels… More»

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