Voices

Posted in Architecture and Design, Voices

My L.A.: St. John’s Cathedral, Monument of Serenity

A Romanesque gem in West Adams, St. John's Episcopal Cathedral opened its doors in 1925. Photo: Kansas Sebastian, CC BY-NC-ND 2.0
Kansas Sebastian, CC BY-NC-ND 2.0

Though overshadowed by modern icons, beautifully crafted buildings like St. John’s are an important part of our architectural heritage. More»

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Posted in Architecture and Design, Voices

My L.A.: Learning to Love Baskin-Robbins

Burbank Baskin-Robbins ice cream store
Great architecture? Perhaps not. Community hub? Definitely.

What makes a building into a community gathering spot? Sometimes a nondescript exterior gives way to sugary goodness inside. More»

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Posted in Architecture and Design, Art, Behind the Scenes, Gardens and Architecture, J. Paul Getty Trust, Voices

Our L.A., Mapped

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What place says “L.A.” to you? What’s your favorite building, corner, or monument? What is your L.A.? More»

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Posted in Architecture and Design, Behind the Scenes, Getty Research Institute, Voices

Getty Voices: Our L.A.

Getty Voices: Lyra Kilston's L.A. map
My L.A.: My life mapped on the landscape.

Did you walk through Overdrive and see part of your story? What are your junctions of place and history? What buildings reflect a bit of who you are? More»

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Posted in Behind the Scenes, J. Paul Getty Museum, Photographs, Film, and Video, Research, Voices

Getty Voices: Be a Photograph Sleuth

Miriam looks through her handy magnifying glass and light to try to determine the photographic process of this image.
Miriam looks through her handy magnifying glass and light to try to determine the photographic process of this image.

I spend as much of my time looking through a magnifying glass as a classic detective does—solving the mysteries of the Getty’s Department of Photographs. More»

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Posted in Behind the Scenes, Getty Villa, Photographs, Film, and Video, Voices

A Young Buck on a November Morning

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I spoke to him quietly: “I’m not here to hurt you, my friend. I just want to take your picture to share with the world how beautiful you are.” More»

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Posted in Behind the Scenes, Gardens and Architecture, Getty Villa, Photographs, Film, and Video, Voices

The Transformative Outer Peristyle

Sunrise Outer Peristyle

Stunning by day, by night, at sunrise and at sunset, the Outer Peristyle at the Getty Villa is also a backdrop from a dramatic duck love story. More»

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Posted in Behind the Scenes, Gardens and Architecture, Photographs, Film, and Video, Voices

Getty Voices: Getty Gone Wild

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Photographic encounters with deer, birds, butterflies, and other wildlife of the Getty.
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Posted in Ancient World, Antiquities, Voices

Seduction in Ancient Rome

Roman fresco with banquet scene from the Casa dei Casti Amanti, Marisa Ranieri Panetta (ed.): Pompeji. Geschichte, Kunst und Leben in der versunkenen Stadt. Belser, Stuttgart 2005, author: Wolfgang Rieger
Roman fresco with banquet scene from the Casa dei Casti Amanti, Marisa Ranieri Panetta (ed.): Pompeji. Geschichte, Kunst und Leben in der versunkenen Stadt. Belser, Stuttgart 2005, author: Wolfgang Rieger

Ovid’s Ars Amatoria serves up the rules of ancient Roman dating and sex—some hilarious, some mildly horrifying. More»

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Posted in Ancient World, Antiquities, Voices

Getty Voices: The Ancient Funny

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Stop me if you’ve heard this one before: A Greek, a Roman, and a priest walk into a bar… More»

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      #ProvenancePeek: July 31

      Every art object has a story—not only of how it was made, but of how it changed hands over time until it found its current home. That story is provenance.

      This small panel by Dutch master Gerrit Dou (photographed only in black and white) is now in the collection of the Sterling and Francine Clark Art Institute. It was sold to American collector Robert Sterling Clark, an heir to the Singer sewing machine fortune, in the summer of 1922.

      How do we know this? Archival sleuthing! A peek into the handwritten stock books of M. Knoedler & Co. (book 7, page 10, row 40, to be exact) records the Dou in “July 1922” (right page, margin). Turning to the sales books, which lists dates and prices, we again find the painting under the heading “New York July 1922,” with its inventory number 14892. A tiny “31” in superscript above Clark’s name indicates the date the sale was recorded.

      M. Knoedler was one of the most influential dealers in the history of art, selling European paintings to collectors whose collections formed the genesis of great U.S. museums. The Knoedler stock books have recently been digitized and transformed into a searchable database, which anyone can query for free.

      Girl at a Window, 1623–75, Gerrit Dou. Oil on panel, 10 9/16 x 7 ½ in. Sterling and Francine Clark Art Institute, Williamstown, Massachusetts


      #ProvenancePeek is a monthly series by research assistant Kelly Davis peeking into #onthisday provenance finds from the M. Knoedler & Co. archives at the Getty Research Institute.

      07/31/15

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