Gothic Grandeur

Posted in Education, Exhibitions and Installations, J. Paul Getty Museum, Manuscripts and Books

Just Desserts – Gourmet Gothic Sweets

Dessert is served! Participants get ready to savor their Gothic treats

When you hear the word “Gothic,” what comes to mind? Black-lipstick-wearing teens? Cathedrals with flying buttresses? What about lavender pudding or torta bonissima? Students at the Getty learned what tickled the Gothic sweet tooth at a culinary course that featured… More»

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Posted in Art, Exhibitions and Installations, J. Paul Getty Museum, Manuscripts and Books

The Manuscript Files: An Impish Ape in a Medieval Zoo

Adam Naming the Animals in the Northumberland Bestiary / English

One of my favorite acquisitions of the past five years in the Getty’s manuscript collection is the Northumberland Bestiary (Ms. 100), featured currently in the Gothic Grandeur exhibition. A bestiary is a kind of medieval encyclopedia of animals. In addition… More»

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Posted in Art, Exhibitions and Installations, J. Paul Getty Museum, Manuscripts and Books

The Manuscript Files: Dancing Your Way to the End of the World

The Lamb Defeating the Ten Kings / Spanish

The current exhibition Gothic Grandeur features a number of works illustrating the Apocalypse, the last book of the Bible that recounts Saint John’s vision of the end of time. This leaf comes from a manuscript of the 1200s made in… More»

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Posted in Behind the Scenes, Getty Foundation, Manuscripts and Books, Philanthropy

Putting the Pieces Together: A Multicultural Undergraduate Internship

Erene Morcos at the entrance to the Getty Center manuscripts exhibition Gothic Grandeur

My relationship with the Getty began when I was still an undergrad studying architecture and the history of art. As a junior I applied for the Multicultural Undergraduate Internship offered by the Getty Foundation, and was thrilled to receive an… More»

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Posted in Art, Exhibitions and Installations, J. Paul Getty Museum, Manuscripts and Books

The Manuscript Files: Medieval Children’s Games

Initial C: The Massacre of the Innocents in a breviary / French

The current exhibition Gothic Grandeur abounds with images in the margin. These charming and often humorous additions, called marginalia (Latin for “things in the margins”), were introduced to manuscript illumination during the Gothic era. In the lower border of this… More»

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Posted in Art, Exhibitions and Installations, J. Paul Getty Museum, Manuscripts and Books

The Manuscript Files: A Demon Whispering Sweet Nothings

Detail of Initial D: The Fool with Two Demons / Master of the Ingeborg Psalter

One of my favorite details from the current exhibition Gothic Grandeur comes from a French psalter of the early 1200s. A hallmark of Gothic art was an increasing sensitivity to the natural world, which led not only to a new… More»

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Posted in Art, Exhibitions and Installations, J. Paul Getty Museum, Manuscripts and Books

The Manuscript Files: A Medieval Holiday Message

A nativity scene in the Abbey Bible / Italian

On the opening page of the Abbey Bible, the first image we encounter is this roundel containing a scene of the Nativity of Christ. According to Christian tradition, late in her pregnancy Mary traveled with Joseph to Bethlehem for a… More»

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Posted in Art, Exhibitions and Installations, J. Paul Getty Museum, Manuscripts and Books

The Manuscript Files: A Medieval Marilyn?

Detail of Saint John the Evangelist Writing / German
Saint John the Evangelist Writing, German, about 1340–50. Tempera colors, gold leaf, and ink on parchment, 17 7/8 x 12 in. The J. Paul Getty Museum, Ms. 108, verso

The luxuriant locks sported by this medieval figure might seem to say more “Marilyn Monroe” than “Saint John.” Both he and the movie star sport hairstyles from the glamorous ‘40s—in the saint’s case, the 1340s. In the Middle Ages, it… More»

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      It’s been 125 years since Van Gogh’s death, today we celebrate his life’s work.


      5 Ways to See Van Gogh’s Irises

      Through observations, visitor conversations, and some sneaky eavesdropping, we’ve compiled the top 5 ways people enjoy this painting.

      1. In a Crowd
        One of the most obvious ways that people see the painting is in a crowd. The gallery is almost always filled, and you might have to wait before you can get up close. The anticipation builds as you start in the back row, and slowly move until you are close enough to see the brushstrokes of Van Gogh’s thick paint.

      2. Online
        David from Colorado said that this was his first visit, but he had already seen the painting online. In addition to being available through the Getty’s Open Content program, the painting is often seen on social media. Just search #irises on Instagram for a taste of the painting’s popularity. 

      3. Alone
        If you arrive right at 10 a.m. when the museum opens, the quiet gallery provides a perfect backdrop to really examine the painting. Solitude and seclusion gives the gallery a sense of intimacy. 

      4. Multiple Times
        Repeat visits can give rise to multiple interpretations. Is it a melancholy or joyous painting? Expressive or depressive? 

      5. Internationally
        Visitors from all across the world viewed this famous Van Gogh. In just one hour I heard multiple languages—French, Italian, Chinese, Korean, German, and more. Irises seems to rise above cultural boundaries—a Dutch painting inspired by Japanese ukiyo-e prints—to strike an emotional resonance amongst all viewers. 

      What is your favorite lens to view Van Gogh’s work through? 

      07/29/15

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